Showing posts with label 1990s. Show all posts
Showing posts with label 1990s. Show all posts

Friday, November 15, 2024

Nineties Imagery

Candida Höfer
Bank, Oldenburg I
1998
C-print
Hamburger Kunsthalle

Alex Katz
Green Shadow #2
1998
oil on board
Scottish National Gallery of Modern Art, Edinburgh

Siegfried Anzinger
Frog
1994
distemper on canvas
Graphische Sammlung Albertina, Vienna

David Salle
Camouflage Room
1999
oil and acrylic on canvas
Graphische Sammlung Albertina, Vienna

Philip Pearlstein
Kiddie-Car Plane, Airplane, and Models
1990
oil on canvas
Joslyn Art Museum, Omaha

Nick Mourtzakis
Untitled Study
1999
drawing
Art Gallery of New South Wales, Sydney

Robert Mangold
Curved Plane / Figure VI
1995
acrylic on canvas
Albright-Knox Art Gallery, Buffalo, New York

Miriam Cahn
Untitled
1995
oil on canvas
Museum Ludwig, Cologne

Maria Beatriz
Red and Green Portrait
1992
painted paper collage
Museum Gouda

Peter Booth
River in Snowstorm with Drowned Figure
1995
casein paint and pastel on paper
Art Gallery of South Australia, Adelaide

James Gleeson
The Darkening Stage
1991
oil on canvas
National Gallery of Victoria, Melbourne

Martin Kippenberger
Untitled
1991
oil on canvas
Museum Ludwig, Cologne

Georges Mavroidis
Someone is Coming
1990
oil on canvas
National Gallery, Athens

Manuel Neri
Kneeling Figure
1991
painted plaster
Denver Art Museum

Zachar Sherman
Malevich
1993
oil on cardboard
Museum Ludwig, Cologne

Jeff Wall
Insomnia
1994
transparency in lightbox
Hamburger Kunsthalle

The Sad Shepherd

There was a man whom Sorrow named his friend,
And he, of his high comrade Sorrow dreaming,
Went walking with slow steps along the gleaming
And humming sands, where windy surges wend:
And he called loudly to the stars to bend
From their pale thrones and comfort him, but they
Among themselves laugh on and sing alway:
And then the man whom Sorrow named his friend
Cried out, Dim sea, hear my most piteous story!
The sea swept on and cried her old cry still,
Rolling along in dreams from hill to hill.
He fled the persecution of her glory
And, in a far-off, gentle valley stopping,
Cried all his story to the dewdrops glistening.
But naught they heard, for they are always listening,
The dewdrops, for the sound of their own dropping.
And then the man whom Sorrow named his friend
Sought once again the shore, and found a shell,
And thought, I will my heavy story tell
Till my own words, re-echoing, shall send
Their sadness through a hollow, pearly heart;
And my own tale again for me shall sing,
And my own whispering words be comforting,
And lo! my ancient burden may depart.
Then he sang softly nigh the pearly rim;
But the sad dweller by the sea-ways lone
Changed all he sang to inarticulate moan
Among her wildering whirls, forgetting him. 

– W.B. Yeats (1889)

Friday, February 16, 2024

Visual Relics (1999-2000)

Ralph Gibson
Untitled
1999
gelatin silver print
Phillips Collection, Washington DC

Michael Kenna
Hermitage and Frozen Neva, Saint Petersburg, Russia
1999
gelatin silver print
Yale Center for British Art

Zhang Huan
Dream of the Dragon (#5)
1999
gelatin silver print
Denver Art Museum

Robert Stivers
Architectural Study - Staircase
1999
gelatin silver print
Fine Arts Museums of San Francisco
(Achenbach Foundation)

Stephanie Valentin
Chiasma 10
1999
gelatin silver print
National Gallery of Victoria, Melbourne

Anne Zahalka
Star City Casino
1999
C-print
National Gallery of Victoria, Melbourne

Thomas Ruff
Portrait
1999
C-print
National Gallery of Victoria, Melbourne

Penelope Davis
Blue/Green 8
2000
C-print
National Gallery of Victoria, Melbourne

Penelope Davis
Red 2
2000
C-print
National Gallery of Victoria, Melbourne

Bertien van Manan
Airport Restaurant, Lijiang, Yunnan
2000
C-print
Yale University Art Gallery

Cindy Sherman
Untitled
2000
C-print
Albright-Knox Art Gallery, Buffalo, New York

Hellen van Meene
Untitled #180
2000
C-print
Brooklyn Museum

Bill Viola
The Quintet of the Silent
2000
video still
Indianapolis Museum of Art

Orit Raff
Untitled (Shirt)
2000
C-print
Yale University Art Gallery

Alice O'Malley
Antony NYC
2000
gelatin silver print
Albright-Knox Art Gallery, Buffalo, New York

Harold Feinstein
No. 43, Poppy, Papaver Species
2000
digital print (scanogram)
Brooklyn Museum

At once, despite the signs and oracles
of gods, through some perverted power all
ask for unholy war. In eagerness
they press around the palace of Latinus.
He, like a steady rock amid the seas,
resists – a rock that, when the breakers crash,
holds fast through its great mass while many waves
howl on against it; all around in vain
the crags and foaming sea cliffs roar; the seaweed
dashed hard against its sides, is driven back.
But when no power is granted him to check
their blind resolve, when all moves at the will
of savage Juno, then – again, again –
father Latinus calls upon the gods
and on the empty air; he cries: "The fates
have crushed us, we are carried by the storm.
Unhappy men! The penalty for this
will yet be paid with your profaning blood.
O Turnus, vengeance, bitter punishment
for this unholy act will wait for you;
too late your prayers will venerate the gods.
My rest is near, my harbor is in view;
a happy burial is all I lose."
He said no more but shut himself within
the palace, let the reins of rule fall slack.

– King Latinus refuses to sanction war against the Trojans, from Book VII of Virgil's Aeneid, translated by Allen Mandelbaum (1971)

Thursday, February 15, 2024

Visual Relics (1996-1999)

D.W. Mellor
Pear and Orange
1996
gelatin silver print
Philadelphia Museum of Art

Martin Parr
Untitled
(series, British Food)
1996
C-print
Denver Art Museum

Andrew Moore
Fire Curtain
1996
C-print
Brooklyn Museum

Alexey Titarenko
Stranger, Saint Petersburg
1996
gelatin silver print
Denver Art Museum

Alexey Titarenko
Curved Frozen Canal, Saint Petersburg
1998
gelatin silver print
Denver Art Museum

Danny Lyon
James Dedios, Jicarilla Apache, Dulce, New Mexico
1997
gelatin silver print
Fine Arts Museums of San Francisco
(Achenbach Foundation)

John Coplans
Untitled - Study for Self-Portrait
1997
nine digital prints
Yale University Art Gallery

Karl Lagerfeld
Model wearing Nimbus Hat
(Chanel haute-couture)

1997
gelatin silver print
Fine Arts Museums of San Francisco
(Achenbach Foundation)

Tom Hunter
Woman reading a Possession Order
1997
C-print
Yale University Art Gallery

John Pfahl
Sawdust Pile, Tioga Corners, PA
(series, Piles)
1997
C-print
Albright-Knox Art Gallery, Buffalo, New York

Orit Raff
Untitled (Freezer #6)
1997
C-print
Albright-Knox Art Gallery, Buffalo, New York

David Stephenson
Dome, Passau, Germany
1997
C-print
National Gallery of Victoria, Melbourne

David Stephenson
Dome, San Lorenzo, Turin
1997
C-print
National Gallery of Victoria, Melbourne

Sam Taylor-Johnson
Cry Laughing
1997
C-prints
Phillips Collection, Washington DC

Hiroshi Sugimoto
Villa Savoye - Le Corbusier
1998
gelatin silver print
Albright-Knox Art Gallery, Buffalo, New York

Andrea Modica
Human Being C11 Female 54 Years
1999
platinum-palladium print
Denver Art Museum

                            . . . racing to the forest,
Amata now tries greater scandal, spurs
to greater madness. She conceals her daughter
in leafy mountains, stealing from the Trojans
that marriage, holding off the wedding torches:
"Evoe Bacchus!" is her shriek and cry.
"For only you are worthy of the virgin;
for you she has taken up the supple thyrsus;
she circles you in dance, for you she saves
her sacred hair." The news flies on. Straightway
all of the matrons feel the same zeal, kindled
by Furies in their breasts, to seek new homes. 
And they desert their houses, bare their necks
and hair before the wind. Still others crowd
the skies with quivering cries; dressed in fawn hides,
they carry vine-bound spears. And at the center
Amata lifts a blazing firebrand
of pine and, raging, sings the wedding song
of Turnus and her daughter as she rolls
her bloodshot eyes; her cry is savage, sudden:
"O Latin mothers, listen now, wherever
you are: if any love still lives within
your pious hearts for sad Amata, if
care for a mother's rights still gnaws at you,
then loose the headbands on your hair, take to
these orgies with me." So Allecto drives
the queen to every side with Bacchus' goads
among the woods, the wilderness of beasts.

– Amata incites the Latin women, from Book VII of Virgil's Aeneid, translated by Allen Mandelbaum (1971)

Wednesday, February 14, 2024

Visual Relics (1992-1996)

Howard Schatz
Jubilee Hasty
1992
gelatin silver print
Yale University Art Gallery

Philip Trager
Eiko and Koma at Jacob's Pillow I
1993
gelatin silver print
Brooklyn Museum

David Levinthal
Untitled
(series, Passion)
1993
Polaroid dye diffusion transfer color print
Albright-Knox Art Gallery, Buffalo, New York

Thomas Demand
Treppenhaus (Staircase)
1994
C-print
Albright-Knox Art Gallery, Buffalo, New York

Thomas Demand
Diving Tower
1994
C-print
Albright-Knox Art Gallery, Buffalo, New York

Vivian Cherry
Michoacán, Morelia, Mexico
1994
C-print
Brooklyn Museum

Hiroshi Sugimoto
North Pacific Ocean, Mt Tamalpais
1994
gelatin silver print
Albright-Knox Art Gallery, Buffalo, New York

Sally Mann
Untitled
ca. 1995
C-print
Phillips Collection, Washington DC

John Pfahl
Grotto at Rydal Falls, Lake District
(series, Permutations on the Picturesque)
1995
inkjet print
Albright-Knox Art Gallery, Buffalo, New York

John Pfahl
Rydal Water from Nab Cottage, Lake District
(series, Permutations on the Picturesque)
1995
inkjet print
Albright-Knox Art Gallery, Buffalo, New York

Gerrit Engel
29 General Mills
1995
C-print
Albright-Knox Art Gallery, Buffalo, New York

Richard Pare
Narkomfin Communal House, Moscow
1995
C-print
Yale University Art Gallery

Thomas Struth
Gallerie dell'Accademia II, Venice (Titian Pietà)
1995
C-print
Yale University Art Gallery

Marco Breuer
Untitled (Tip)
ca. 1995
cameraless photograph, burned gelatin silver paper
Victoria & Albert Museum, London

Barbara Bosworth
Wrist
1996
gelatin silver print
Denver Art Museum

Michael Kenna
Chariot of Apollo, Versailles
1996
gelatin silver print
Yale Center for British Art

At once Allecto, steeped in Gorgon poison,
makes first for Latium and the high palace
of the Laurentian chieftain. There she sits
before the silent threshold of the queen,
Amata, who is kindled by a woman's
anxieties and anger, seething over
the Trojans' coming, Turnus' thwarted wedding.
Then from her blue-gray hair the goddess cast
a snake deep in Amata's secret breast,
that, maddened by the monster, she might set
at odds all of her household. And the serpent
glides on, between the queen's smooth breasts and dress,
and winds its way unnoticed; by deceit
it breathes its viper breath into her frenzy.
The giant snake becomes a twisted necklace
of gold, a long headband to bind her hair,
and slithers down her limbs. 

– Allecto's serpent possesses Queen Amata, from Book VII of Virgil's Aeneid, translated by Allen Mandelbaum (1971)