Showing posts with label sidewalks. Show all posts
Showing posts with label sidewalks. Show all posts

Monday, November 24, 2025

Camilo José Vergara

Camilo José Vergara
65 East 125th Street, Harlem
1977
inkjet print
Smithsonian American Art Museum, Washington DC


Camilo José Vergara
65 East 125th Street, Harlem
1978
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1980
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1980
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1981
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1983
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1988
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1990
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1992
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1994
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1995
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1996
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1997
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1998
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2001
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2001
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2002
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2004
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2007
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2009
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2009
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2011
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2014
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2015
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2016
inkjet print
Smithsonian American Art Museum, Washington DC

Roma

Again and again I kiss thy gates at departing
And against our will leave thy holy door-stone,
Praying in tears and with praises
            such words as can pierce our tears.

Hear us, Queen, fairest in all the earth, Roma,
Taking post twixt the sky's poles,
Nurse of men! Mother of gods,
                                    do thou hear us.
Ever we hymn thee and will, while the Fates can have power.
No guest can forget thee.
            It were worse crime than forgetting the sun
If we ceased holding thy honor in heart,
Thou impartial as sunlight to the splash of all outer sea-bords. 
All that Apollo over-rides in his quadriga
Hast thou combined into equity:
Many strange folk in one fatherland,
To their good, not seeking to dominate;
Gavest law to the conquered as consorts;
Made city what had been world. 

They say that Venus was thy mother, that is by Aeneas,
Mars for father hadst'ou through Romulus,
Making mild armed strength, she in conquest:
One god in two natures;
                                    Joy out of strife by sparing
O'ercamest the sources of terror
In love with all that remains.

– Rutilius Claudius Namatianus was born in Gaul in the late fourth century AD and held high office at the court of Honorius.  His poem of return from Rome, De Reditu Suo, contains a famous tribute to the city written shortly after its siege and sack by Alaric the Goth in AD 410.  The translation is by Ezra Pound (1963). 

Monday, March 12, 2018

Paul Musurus in Victorian London

Paul Musurus
A London Beggar
1860
watercolor
British Museum

Paul Musurus
Head of Bearded Man
ca. 1855-63
drawing
British Museum

Paul Musurus
Apple Woman
ca. 1855-63
drawing
British Museum

"A note in the Acquisition register records that Paul Musurus was a Turk who was in the Diplomatic Service of England in about 1855-63.  There is a group of 40 drawings by him in the British Museum, purchased from Mr. Sydney Whicher in 1938." 

– curator's notes from the British Museum

Paul Musurus
Study of Male Figure
ca. 1855-63
drawing
British Museum

Paul Musurus
A Sandwich Man and a Boy
ca. 1855-63
drawing-
British Museum

Paul Musurus
Bearded Man Playing Chess
ca. 1855-63
drawing
British Museum

Paul Musurus
A London Street
ca. 1855-63
drawing
British Museum

Paul Musurus
Exterior of Greengrocer's Shop
ca. 1855-63
drawing
British Museum

Paul Musurus
Man Reading a Document
ca. 1855-63
drawing
British Museum

Paul Musurus
Man Sitting and Reading a Newspaper
ca. 1855-63
drawing
British Museum

Paul Musurus
Man Sitting by a Fire
ca. 1855-63
drawing
British Museum

Paul Musurus
A London Street
ca. 1855-63
drawing
British Museum

Paul Musurus
Beggar Woman
ca. 1855-63
drawing
British Museum

Paul Musurus
Man and Woman Conversing
ca. 1855-63
drawing
British Museum

Tuesday, June 10, 2014

Partway Up






One intersection on the way up the hill.  No special identity. A pause on the way to somewhere else. Or glimpsed every day for half a second from a car window. Walked through on foot by thousands – pedestrians have the greatest freedom to look around. When the lights are red, drivers also have a few seconds to look around.