Thursday, October 24, 2019

Human Figure (Undraped) in Seicento Drawings

Andrea Sacchi
Study for Figure of St Andrew
ca. 1632-50
drawing
Royal Collection, Great Britain

Guercino
Christ on the Cross
(Study for The Crucifixion with Saints)
ca. 1624-25
drawing
Art Institute of Chicago

Guercino
Study for The Martyrdom of St Bartholomew
ca. 1635-36
drawing
Art Institute of Chicago

Cavaliere d'Arpino
Figure Study
before 1640
drawing
Metropolitan Museum of Art, New York

attributed to Giovanni Lanfranco
Study of Foreshortened Figure, Reclining
before 1647
drawing
Princeton University Art Museum

attributed to Giovanni Lanfranco
Figure di sotto in su with Raised Arms
before 1647
drawing
Minneapolis Institute of Art

from Dolores

Thou shalt bind his bright eyes though he wrestle,
   Thou shalt chain his light limbs though he strive;
In his lips all thy serpents shall nestle,
   In his hands all thy cruelties thrive.
In the daytime thy voice shall go through him,
   In his dreams he shall feel thee and ache;
Thou shalt kindle by night and subdue him
   Asleep and awake.

– Algernon Charles Swinburne (1866)

Il Padovanino (Alessandro Varotari)
Figure Study
before 1649
drawing
British Museum

Alessandro Turchi
Study for St Sebastian
before 1649
drawing
private collection

attributed to Mattia Preti
St John the Baptist prepared for Execution
ca. 1650-60
drawing
Minneapolis Institute of Art

Mattia Preti
Angel blowing Trumpet
ca. 1652
drawing
Getty Museum, Los Angeles

Giovanni Angelo Canini
Study for Fallen Angel
1655
drawing
Museum Kunstpalast, Düsseldorf

Giovanni Angelo Canini
Standing Figure di sotto in su
ca. 1660
drawing
Royal Collection, Great Britain

Domenico Maria Canuti
Seated Youth, Half-Length
before 1684
drawing
Princeton University Art Museum

Baldassare Franceschini
Two Studies of Torso
before 1690
drawing
Minneapolis Institute of Art