Wednesday, March 18, 2020

Paintings of Actors in Famous (or Once-Famous) Roles

Peter Greenham
Angela Baddeley as Mistress Page
(The Merry Wives of Windsor by Shakespeare)
ca. 1960
oil on canvas
Royal Shakespeare Theatre, Stratford-upon-Avon

Alfred Lawrence
Vivien Leigh as Blanche Dubois
(A Streetcar Named Desire by Tennessee Williams)
1950
oil on canvas
Victoria & Albert Museum, London

Anthony Devas
John Gielgud as Valentine
(Love for Love by William Congreve)
ca. 1943-44
oil on paper
University of Bristol Theatre Collection

Ethel Gabain
Adelaide Stanley as Kate
(The Two Bouquets by Herbert Farjeon)
ca. 1937
oil on canvas
Gallery Oldham, Manchester

Video Blues

My husband has a crush on Myrna Loy,
and likes to rent her movies, for a treat.
It makes some evenings harder to enjoy.

The list of actresses who might employ
him as their slave is too long to repeat.
(My husband has a crush on Myrna Loy,

Carole Lombard, Paulette Goddard, coy
Jean Arthur with that voice as dry as wheat . . .)
It makes some evenings harder to enjoy.

Does he confess all this just to annoy
a loyal spouse? I know I can't compete.
My husband has a crush on Myrna Loy.

And can't a woman have her dreamboats? Boy,
I wouldn't say my life is incomplete
but some evening I could certainly enjoy

two hours with Cary Grant as my own toy.
I guess, though, we were destined not to meet.
My husband has a crush on Myrna Loy,
which makes some evenings harder to enjoy.

– Mary Jo Salter (1999)

Ethel Gabain
Peggy Ashcroft as Juliet
(Romeo and Juliet by Shakespeare)
ca. 1935
oil on canvas
Royal Shakespeare Theatre, Stratford-upon-Avon

Arthur Hacker
Sir John Martin-Harvey as Hamlet
(Hamlet by Shakespeare)
1916
oil on canvas
Museum of London

Fred Howard Michael
Ethel Irving as Lady Frederick
(Lady Frederick by Somerset Maugham)
ca. 1907
oil on canvas
Victoria & Albert Museum, London

John Collier
Julia Neilson as Drusilla Ives
(The Dancing Girl by Henry Arthur Jones)
1891
oil on canvas
Royal Academy of Music, London 

Charles Robert Leslie
Ellen Tree as Hermione
(The Winter's Tale by Shakespeare)
ca. 1840
oil on canvas
Royal Shakespeare Theatre, Stratford-upon-Avon

Daniel Maclise
Priscilla Horton as Ariel
(The Tempest by Shakespeare)
ca. 1840
oil on panel
Royal Shakespeare Theatre, Stratford-upon-Avon

Local History

In the liquor store one is enchanted by a print
Of bears holding each other's arms, heads slung up
Singing, dancing about a hooded fire – Tony
Behind the counter, has never danced . . .
Just as Michelangelo tussled with the shape
Of a Venus, his impulse was to attach
Breasts to men –
But Gene no longer has an interest in any kind of art.
My wife won't allow him in the house
Since he tumbled down the stairs – Gene who spent
The last war sitting on the bridge in Sault Ste. Marie
Guarding the locks, numb fingers on an icy machine gun . . .
Married a woman
Who became an eminent actress after she left him –
Gene says, how hairy she was in reality. What he
Described of their intimate life
I once found fascinating –
A dead branch like a claw.
Nothing so studied as something honored.
As we pivot in the park around the Civil War monument –
This isn't Florence by any means –
My wife squares her lips,
How wondrous it is to be discreet, the satisfactions
In maintaining a confidence . . .
Sparrows flitting into glass,
Clutter of bodies on wet pea gravel –
Those days when so much rain made the ground squeak
By itself

– Robert Vandermolen (2005)

William Hamilton
Mary Stephens Wells (née Davies) as Mistress Page
(The Merry Wives of Windsor by Shakespeare)
ca. 1790
oil on canvas
Royal Shakespeare Theatre, Stratford-upon-Avon

William Hamilton
Mrs. Siddons as Euphrasia
(The Grecian Daughter by Arthur Murphy)
1784
oil on canvas
Town Hall, Stratford-upon-Avon

Johan Zoffany
Charles Macklin as Shylock
(The Merchant of Venice by Shakespeare)
ca. 1768
oil on canvas
Holburne Museum, Bath

Johan Zoffany
David Garrick as John Brute
(The Provok'd Wife by John Vanbrugh)
ca. 1763-64
oil on canvas
Holburne Museum, Bath

Frank O. Salisbury
Richard Burton as Henry V
(Henry V by Shakespeare)
1956
oil on canvas
Victoria & Albert Museum, London