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| Isabel Rawsthorne Svetlana Beriosova - Study of a Ballet Dancer ca. 1960 gouache and watercolour on paper Fry Art Gallery, Saffron Walden, Essex |
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| Francis Cadell Dancer (Nijinsky as Faun) ca. 1915 oil on board Brighton and Hove Museums and Art Galleries |
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| Henri Fantin-Latour The Dance 1898 oil on canvas Glasgow Museums |
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| John Luke The Three Dancers 1945 oil and tempera on canvas, mounted on panel Ulster Museum, Belfast |
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| M. Gluck Léonide Massine waiting for his cue in On with the Dance 1925 oil on canvas Victoria & Albert Museum, London |
In and Out
I would consider
re-heating the tweezers
if I had the chance,
because, as ducks say
in Ghana, "broccoli
reversal gets priority."
I would consider
re-heating the tweezers
if Tu Fu and Cleopatra
had a son named Sel.
I have the chance
because, as ducks say,
"who was generated
in Old Ironsides, AK?"
In Ghana, broccoli
reversal gets priority
and grows up to be
a pie dish dismisser.
Tu Fu and Cleopatra
had a son named Sel
who was generated
in Old Ironsides, AK.
He grew up to be
a pie dish dismisser.
– Linda Kunhardt (2010)
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| Hans Feibusch Men and Satyrs Dancing 1954 oil on canvas Pallant House Gallery, Chichester, Sussex |
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| Jacob Kramer Study of a Ballet Dancer preparing for a Rehearsal 1930 oil on canvas Ferens Art Gallery, Kingston-upon-Hull |
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| Peter Nardini Scottish Ballet in Rehearsal ca. 1980 oil on canvas Theatre Royal, Glasgow |
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| John Lessore Moguls and Starlets, Yellow Tent I 1993 oil on canvas Government Art Collection, London |
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| Paul Richards Dancer ca. 1990 acrylic on paper Tavistock Centre, London |
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| Francis Edwin Hodge Preparation for the Ballet ca. 1935 oil on canvas Usher Gallery, Lincoln |
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| Anthony Fry Dance White 1960 oil on canvas Southbank Centre, London |
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| Robert Colquhoun Dancers Rehearsing 1958 oil on canvas Fitzwilliam Museum, Cambridge |
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| Michael Ayrton Slow Dance for the Nativity 1958 oil on board Sunderland Museum and Winter Garden, Tyne and Wear |
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| George William Pinder The Dance 1964 oil on board Glasgow Museums |