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| Peter Lanyon Lost Mine 1959 oil on canvas Tate Modern, London |
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| Stanley William Hayter Coast of Erehwon 1959 oil on canvas Towner Art Gallery, Eastbourne, Sussex |
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| Robert Medley The Rough Field 1962 oil on canvas Royal Academy of Arts, London |
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| Roger Hilton Painting, Summer 1963 1963 oil on canvas Yale Center for British Art |
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| Kit Barker Cliffs on the Sea 1963 oil on canvas Aberdeen Art Gallery, Scotland |
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| Ivon Hitchens Spring in Autumn 1967 oil on canvas Ulster Museum, Belfast |
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| Martin Froy West Country 1968 acrylic on board Tullie House Museum and Art Gallery, Carlisle, Cumbria |
One anguish – in a Crowd –
A minor thing – it sounds –
And yet, unto the single Doe
Attempted – of the Hounds
'Tis Terror as consummate
As Legions of Alarm
Did leap, full flanked, upon the Host –
'Tis Units – make the Swarm –
A small Leech – on the Vitals –
The sliver, in the Lung –
The Bung out – of an Artery –
Are scarce accounted – Harms –
Yet mighty – by relation
To that Repealless thing –
A Being – impotent to end –
When once it has begun –
– Emily Dickinson (1863)
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| Jeff Hoare Open Space 1971 oil on canvas Peter Scott Gallery, Lancaster University |
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| Dorothy Mead Seascape, Brighton 1973 oil on canvas British Academy, London |
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| Adrian Heath Wenvoe 1978 acrylic on canvas National Museum Cardiff, Wales |
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| Alexander Fraser Guild Street No. 8 ca. 1983 oil on canvas Grampian Hospitals Art Trust, Aberdeen, Scotland |
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| John Bellany Sunset from Port Seton 1984 oil on canvas Middlesbrough Institute of Modern Art |
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| Howard Hodgkin Venice Sunset 1989 oil on panel Birmingham Museum and Art Gallery, West Midlands |
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| Barbara Delaney Red River Moving 1994 acrylic on canvas Pembroke College, University of Oxford |
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| Masako Tobita October Morning ca. 2004 oil on canvas Hampshire County Council, Winchester |