Monday, August 9, 2021

Marinus van Reymerswaele (Money and Religion)

Marinus van Reymerswaele
Money-Changer and his Wife
1538
oil on panel
Museo del Prado, Madrid

Marinus van Reymerswaele
Money-Changer and his Wife
1539
oil on panel
Museo del Prado, Madrid

workshop of Marinus van Reymerswaele
Money-Changer and his Wife
1538
oil on panel
Musée d'Arts de Nantes

Marinus van Reymerswaele
Tax Collectors
ca. 1535-40
oil on panel
Musée du Louvre

Marinus van Reymerswaele
Tax Collectors
ca. 1540
oil on panel
National Museum, Warsaw

Marinus van Reymerswaele
Tax Collectors
ca. 1540-45
oil on panel
National Gallery, London

Marinus van Reymerswaele
Lawyer in his Office
1542
oil on panel
Alte Pinakothek, Munich

follower of Marinus van Reymerswaele
Money-Changers
1548
oil on panel
Museo de Bellas Artes de Bilbao

Marinus van Reymerswaele
Parable of the Unjust Steward
ca. 1540
oil on panel
Kunsthistorisches Museum, Vienna

Marinus van Reymerswaele
The Calling of St Matthew
ca. 1530
oil on panel
Museo Thyssen-Bornemisza, Madrid

Marinus van Reymerswaele
St Jerome in his Study
1533
oil on panel
Real Academia de Bellas Artes de San Fernando, Madrid

Marinus van Reymerswaele
St Jerome in his Study
ca. 1540
oil on panel
Musée de la Chartreuse de Douai

Marinus van Reymerswaele
St Jerome in his Study
1541
oil on panel
Museo del Prado, Madrid

Marinus van Reymerswaele
St Jerome in his Study
1545
oil on panel
Gemäldegalerie, Berlin

Marinus van Reymerswaele
Virgin and Child
ca. 1525-45
oil on panel
Museo del Prado, Madrid

Marinus van Reymerswaele is best known for his genre scenes of bankers and tax collectors, which offer a satirical view of the powerful financial classes in Antwerp (where he spent the early part of his career) and the Netherlands in the first half of the 16th century.  His large workshop also produced a number of panels depicting religious subjects, in particular The Calling of Saint Matthew and Saint Jerome in his Study.  From March through June of this year, Museo del Prado in Madrid mounted the first solo exhibition devoted to this artist – "While many of his paintings are very well known and appreciated today from textbooks on economic history – the Flemish economic historian Raymond de Roover (1904-1972) was one of the first to associate money changers with the profession of banking in the 16th century and to illustrate them in his books – the artist's life and work have been little studied in recent decades.  This exhibition, which is curated by Christine Seidel, curator of painting up to 1800 at the Staatsgalerie Stuttgart and the recipient of a Fundación María Cristina Masaveu Peterson study grant at the Museo del Prado in 2018, has brought together a significant group of van Reymerswaele's paintings, in addition to books, prints and coins that add context to the images.  From 2018 onwards the five works by the artist in the Prado's collection were restored for the exhibition in the Museum's restoration studio and are presented together for the first time."