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| Paolo Morando (il Cavazzola) Portrait of a Warrior with his Equerry (detail) ca. 1518-22 oil on canvas Galleria degli Uffizi, Florence |
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| Paolo Morando (il Cavazzola) Portrait of a Warrior with his Equerry ca. 1518-22 oil on canvas Galleria degli Uffizi, Florence |
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| Paolo Morando (il Cavazzola) Virgin and Child with St John the Baptist and an Angel ca. 1514-18 oil on canvas National Gallery, London |
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| Paolo Morando (il Cavazzola) Polyptych of the Passion 1517 oil on panels Museo di Castelvecchio, Verona |
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| Paolo Morando (il Cavazzola) Polyptych of the Passion (The Crowning with Thorns and The Mocking of Christ) 1517 oil on panel Museo di Castelvecchio, Verona |
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| Paolo Morando (il Cavazzola) Polyptych of the Passion (Christ at the Column) 1517 oil on panel Museo di Castelvecchio, Verona |
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| Paolo Morando (il Cavazzola) Polyptych of the Passion (The Way to Calvary) 1517 oil on panel Museo di Castelvecchio, Verona |
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| Paolo Morando (il Cavazzola) Polyptych of the Passion (The Deposition and The Lamentation) 1517 oil on panel Museo di Castelvecchio, Verona |
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| Paolo Morando (il Cavazzola) Polyptych of the Passion Deposition and Lamentation (detail) 1517 oil on panel Museo di Castelvecchio, Verona |
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| Paolo Morando (il Cavazzola) Polyptych of the Passion Deposition and Lamentation (detail) 1517 oil on panel Museo di Castelvecchio, Verona |
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| Paolo Morando (il Cavazzola) Polyptych of the Passion (The Agony in the Garden) 1517 oil on panel Museo di Castelvecchio, Verona |
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| Paolo Morando (il Cavazzola) Polyptych of the Passion Agony in the Garden (detail) 1517 oil on panel Museo di Castelvecchio, Verona |
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| Paolo Morando (il Cavazzola) Polyptych of the Passion (Predella - St Bonaventure) 1517 oil on panel Museo di Castelvecchio, Verona |
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| Paolo Morando (il Cavazzola) Polyptych of the Passion (Predella - St John the Baptist) 1517 oil on panel Museo di Castelvecchio, Verona |
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| Paolo Morando (il Cavazzola) Polyptych of the Passion (Predella - St Joseph) 1517 oil on panel Museo di Castelvecchio, Verona |
"The career of Paolo Morando (il Cavazzola) is within its brief limits at least equally a testimony to the conservative disposition of the native Veronese. In 1517 his series of the Passion of Christ (Verona, Museo del Castelvecchio) is dramatically eloquent, but in a vocabulary that is fixed in its attachment to the Quattrocento: all that identifies the time of the painting of these works is that light is manipulated in them with a chiaroscuro range unlike that of the old century – but only in order to intensify effects of realism – it is a demonstration at a late date of the propositions that belong to a past style."
– S.J. Freedberg, Painting in Italy 1500-1600 in the Pelican History of Art series (1970)