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| Giovanni Agostino da Lodi Study of a Young Man in Profile ca. 1500 drawing Morgan Library, New York |
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| Giovanni Agostino da Lodi Study of a Bearded Man in Profile ca. 1500 drawing Morgan Library, New York |
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| Giovanni Agostino da Lodi St Peter and St John the Evangelist ca. 1495-1505 oil on panel Pinacoteca di Brera, Milan |
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| Giovanni Agostino da Lodi Risen Christ ca. 1515 oil on panel Fondazione Cavallini Sgarbi, Ferrara |
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| Giovanni Agostino da Lodi St Mary Magdalen and St Martha (detail) ca. 1510 oil on panel Museo di Castelvecchio, Verona |
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| Giovanni Agostino da Lodi Virgin and Child with St Sebastian ca. 1500-1510 oil on panel Galleria Estense, Modena |
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| Giovanni Agostino da Lodi Virgin and Child with Two Donors ca. 1505 oil on panel Museo di Capodimonte, Naples |
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| Giovanni Agostino da Lodi Holy Family with St Lucy 1503 oil on panel Gemäldegalerie, Berlin |
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| Giovanni Agostino da Lodi Adoration of the Shepherds ca. 1510-15 oil on panel Allentown Art Museum, Pennsylvania |
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| Giovanni Agostino da Lodi Pala dei Barcaioli ca. 1492 oil on panel Chiesa di San Pietro Martire, Murano |
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| Giovanni Agostino da Lodi Pala dei Barcaioli (detail) St John the Baptist and a Bishop Saint ca. 1492 oil on panel Chiesa di San Pietro Martire, Murano |
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| Giovanni Agostino da Lodi Christ washing the Feet of the Disciples 1500 oil on panel Gallerie dell'Accademia, Venice |
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| Giovanni Agostino da Lodi Virgin and Child with St Simeon and St Jerome ca. 1500 oil on panel Gallerie dell'Accademia, Venice |
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| Giovanni Agostino da Lodi Pan and Syrinx ca. 1510 oil on panel Museo Thyssen-Bornemisza, Madrid |
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| Giovanni Agostino da Lodi Pietà with St Jerome, St John the Evangelist, the Virgin, and a Donor before 1524 oil on panel Galleria Giorgio Franchetti alla Ca' d'Oro, Venice |
"Giovanni Agostino da Lodi's signature on a painting in Milan and on a drawing sold at Sotheby's in New York in 1986 were the first clues to rediscovering this important participant in Lombard art. With these two firm documents, scholars have recently reconstructed this artist's life and work from paintings previously attributed to an artist known as Pseudo-Boccaccino, or Boccaccio Boccaccino of Cremona. A 1504 receipt for payment to Lodi suggests that he may have lived in Venice for a time, and his many surviving paintings around Venice add evidence to this theory. After returning to Lombardy, he painted numerous works there. Giovanni Agostino da Lodi was also an outstanding draftsman. His red chalk studies of heads, often mistaken for works by Leonardo da Vinci, constitute most of his surviving drawings. Active in Lombardy and the Veneto, Lodi assimilated Leonardo's Milanese manner, along with Venetian colorism and Albrecht Dürer's Northern European art."
– from curator's notes at the Getty Museum, Los Angeles