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| Thomas Gainsborough Portrait of Mary and Margaret, the Artist's Daughters ca. 1758 oil on canvas Victoria & Albert Museum, London |
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| Thomas Gainsborough Portrait of Mary and Margaret, the Artist's Daughters chasing a Butterfly ca. 1756 oil on canvas National Gallery, London |
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| Thomas Gainsborough Portrait of Mr and Mrs Andrews ca. 1750 oil on canvas National Gallery, London |
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| William Hoare Portrait of a Gentleman in Brown 1750 oil on canvas Tate Britain |
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| Joseph Highmore Portrait of John Owen, MP ca. 1750 oil on canvas National Museum of Wales, Cardiff |
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| attributed to Arthur Pond Portrait of Rhoda Astley née Delaval creating a pastel portrait ca. 1750 oil on canvas National Portrait Gallery, London |
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| Giuseppe Bonito Portrait of the Infanta Maria Luisa ca. 1750 oil on canvas Collection of Franco Maria Ricci, Fontanellato |
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| Vito D'Anna Self Portrait ca. 1750 oil on canvas Accademia di San Luca, Rome |
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| follower of Arthur Pond Portrait of Richard Cooper, Esq. ca. 1749 oil on canvas Royal London Hospital Museum |
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| Giuseppe Bonito Portrait of the Infanta Maria Isabel 1748 oil on canvas Palacio Real, Madrid |
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| Giuseppe Bonito Portrait of the Infanta Maria Luisa 1748 oil on canvas Palacio Real, Madrid |
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| Thomas Gainsborough Portrait of the Artist with his Family ca. 1748 oil on canvas National Gallery, London |
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| Charles-Antoine Coypel Cheerful Democritus 1746 oil on canvas private collection |
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| Charles-Antoine Coypel Sorrowful Heraclitus 1746 oil on canvas private collection |
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| Arthur Pond Portrait of Samuel Shepherd ca. 1745 oil on canvas Temple Newsam House, Leeds |
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| Giuseppe Bonito The Turkish Embassy in Naples 1741 oil on canvas Museo del Prado, Madrid |
"But You will justly enquire why I have not written all this time to you? I answer I have been very Unhappy & could not think of troubling you about it or any of my real Friends (I have written many letters to you which I burnd & did not send) & why I have not before now finished the Miniature I promissed to Mʳˢ Butts? I answer I have not till now in any degree pleased myself & now I must intreat you to Excuse faults for Portrait Painting is the direct contrary to Designing & Historical Painting in every respect – If you have not Nature before you for Every Touch you cannot Paint Portrait, & if you have Nature before you at all you cannot Paint History; it was Michael Angelos opinion & is Mine. Pray Give My Wifes love with mine to Mʳˢ Butts, assure her that it cannot be long before I have the pleasure of Painting from you in Person & then that She may Expect a likeness but now I have done All I could & know she will forgive any failure in consideration of the Endeavour."
– William Blake, from a letter to Thomas Butts, 22 November 1802