Monday, March 20, 2023

Pairs of Figures

Corneille van Clève
La Loire et le Loiret
ca. 1707
marble
Jardin des Tuileries, Paris

Daniele da Volterra
Angels with Lilies
ca. 1545
stucco relief
Sala Reggia, Palazzo Apostolico, Vatican

Honoré Daumier
Two Lawyers shaking Hands
ca. 1860
drawing, with gouache
Rijksmuseum, Amsterdam

Eustache Le Sueur
Pair of Half-Length Figures
ca. 1645-48
drawing
(study for fresco cycle, The Life of St Bruno)
Musée du Louvre

Gabriel de Saint-Aubin
Women in Turkish Dress
ca. 1760-70
drawing, with added watercolor
Musée du Louvre

Giandomenico Tiepolo
Merchant, with Slave lifting a Bale
1753
drawing
(study for fresco)
Graphische Sammlung, Staatsgalerie Stuttgart

François Lemoyne
Figure Studies
before 1737
drawing
Musée du Louvre

Giulio Campi
Seed Sowing
ca. 1537-38
drawing
(study for fresco)
Musée du Louvre

Salvator Rosa
Two Men pulling on a Rope
before 1673
drawing
Musée du Louvre

Correggio (Antonio Allegri)
Two Figures seated on Clouds
ca. 1526-28
drawing
(study for cupola fresco, Parma Cathedral)
Musée du Louvre

Giulio Campagnola
Landscape with Two Men in Conversation
before 1515
drawing
Musée du Louvre

Peter Paul Rubens after Jan van Scorel
Two Figures from The Baptism of Christ
ca. 1601-1608
drawing
Musée du Louvre

attributed to Giovanni Mauro della Rovere
Two Figures fleeing from a Collapsing Building
before 1640
drawing
Musée du Louvre

Toussaint Dubreuil after Michelangelo
Two Figures
ca. 1580-1600
drawing
Musée du Louvre

Bartolomeo Passarotti
Two Female Torsos after Antique Sculpture
before 1592
drawing
Musée du Louvre

Nicolò dell'Abate
Noli me tangere
ca. 1552-58
drawing
Musée du Louvre

"Genuine reality is only to be found beyond the immediacy of feeling and of external objects.  Nothing is genuinely real but that which is actual in its own right, that which is the substance of nature and of mind, fixing itself indeed in present and definite existence, but in this existence still retaining its essential and self-centred being, and thus and no otherwise attaining genuine reality.  The dominion of these universal powers is exactly what art accentuates and reveals.  The common outer and inner world also no doubt presents to us this essence of reality, but in the shape of a chaos of accidental matters, encumbered by the immediateness of sensuous presentation, and by arbitrary states, events, characters, etc.  Art liberates the real import of appearances from the semblance and deception of this bad and fleeting world, and imparts to phenomenal semblances a higher reality, born of mind.  The appearances of art, therefore, far from being mere semblances, have the higher reality and the more genuine existence in comparison with the realities of common life."    

– Georg Wilhelm Friedrich Hegel, from Lectures on Aesthetics (published posthumously, 1835-38), translated by Bernard Bosanquet (1886)