Monday, September 30, 2024

Visualizing the Warrior - II

Bernardo Bellotto
Equestrian Portrait of Hussar Officer
1773
oil on canvas
Kunsthistorisches Museum, Vienna

Taddeo Zuccaro
Group of Soldiers
ca. 1563-65
drawing
(study for fresco)
Morgan Library, New York

Jean-Jacques Lagrenée
David triumphing over Goliath
1780
oil on canvas
Musée des Beaux-Arts de Caen

Anonymous Florentine Artist
Battle between Romans and Gauls
ca. 1470-80
oil and tempera on panel
(originally part of a cassone)
John and Mable Ringling Museum of Art, Sarasota

Raphael
Study for Figure of Fallen Soldier
ca. 1511-14
drawing
Ashmolean Museum, Oxford

Jean-Simon Berthélemy
Death of a Gladiator
1773
oil on canvas
Los Angeles County Museum of Art

Hans Thoma
War
1907
oil on canvas
Städel Museum, Frankfurt

Franz Anton Maulbertsch
Coriolanus outside the Walls of Rome
ca. 1794-95
oil on panel
Staatsgalerie, Stuttgart

Donato Creti
Study for a Figure of Alexander the Great
ca. 1700
drawing
Clark Art Institute, Williamstown, Massachusetts

Thomas Sully
Portrait of Jean Terford David
1813
oil on canvas
Cleveland Museum of Art, Ohio

Giuseppe Porta (Giuseppe Salviati)
Pallas Athena
ca. 1560
drawing
Graphische Sammlung Albertina, Vienna

Giovanni Battista Benaschi
Figure wielding Sword
ca. 1678
drawing
Staatsgalerie, Stuttgart

Giovanni Battista Piazzetta
Head of a Young Soldier
ca. 1740
drawing
Städel Museum, Frankfurt

Hamo Thornycroft
Teucer, brother of Ajax
1882
bronze
(made in Rome)
Art Institute of Chicago

Anonymous Netherlandish Artist
Head of Warrior with Helmet
ca. 1530-40
drawing
Rijksmuseum, Amsterdam

Roman Empire
Helmet
AD 50
bronze and iron
Musée d'Art Classique de Mougins

from Baile and Aillinn

Argument: Baile and Aillinn were lovers, but Aengus, the Master of Love, wishing them to be happy in his own land among the dead, told to each a story of the other's death, so that their hearts were broken and they died. 

I hardly hear the curlew cry,
Nor the grey rush when the wind is high,
Before my thoughts begin to run
On the heir of Ulad, Buan's son,
Baile, who had the honey mouth;
And that wild woman of the south,
Aillinn, who was King Lugaid's heir.
Their love was never drowned in care
Of this or that thing, nor grew cold
Because their bodies had grown old.
Being forbid to marry on earth,
They blossomed to immortal mirth.

– W.B. Yeats (1903)