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| Master of the Magdalen Legend The Raising of Lazarus (detail) ca. 1515-20 oil on panel Statens Museum for Kunst, Copenhagen |
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| Master of the Magdalen Legend The Raising of Lazarus ca. 1515-20 oil on panel Statens Museum for Kunst, Copenhagen |
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| Joachim Wtewael The Raising of Lazarus ca. 1600 oil on canvas Palais des Beaux-Arts de Lille |
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| Johann Eckstein The Raising of Lazarus ca. 1790 colored wax relief Cincinnati Art Museum, Ohio |
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| Félix Auvray The Raising of Lazarus ca. 1825 oil on canvas Musée des Beaux-Arts de Valenciennes |
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| Giovanni Benedetto Castiglione (il Grechetto) The Raising of Lazarus ca. 1649 etching Milwaukee Art Museum |
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| Domenico Fiasella (il Sarzana) Christ raising the Son of the Widow of Nain ca. 1615 oil on canvas John and Mable Ringling Museum of Art, Sarasota |
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| Hans Holbein the Elder The Resurrection 1501 tempera and oil on panel (altarpiece fragment) Städel Museum, Frankfurt |
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| Juan Correa de Vivar The Resurrection of Christ ca. 1532-34 tempera on panel Museo del Prado, Madrid |
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| Titian The Resurrection ca. 1542-44 oil on canvas (Banner for the Confraternita del Corpus Domini di Urbino) Galleria Nazionale delle Marche, Urbino |
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| Parmigianino (Francesco Mazzola) The Resurrection ca. 1524-27 etching and engraving Museum of Fine Arts, Budapest |
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| Giovanni Baronzio The Ascension of Christ ca. 1340 tempera on panel Galleria Sabauda, Turin |
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| Giandomenico Tiepolo The Ascension of Christ ca. 1745-50 oil on canvas (sketch) Virginia Museum of Fine Arts, Richmond |
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| Giulio Romano Christ in Glory with The Virgin and St John the Baptist, St Paul and St Catherine of Alexandria ca. 1520 tempera on panel Galleria Nazionale di Parma |
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| Hendrik van Balen The Assumption of the Virgin ca. 1600 oil on panel Kunsthistorisches Museum, Vienna |
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| Peter Paul Rubens The Assumption of the Virgin ca. 1622-25 oil on panel (modello for altarpiece) Mauritshuis, The Hague |
from The Island of Statues
Come forth: the morn is fair; as from the pyre
Of sad Queen Dido shone the lapping fire
Unto the wanderers' ships, or as day fills
The brazen sky, so blaze the daffodils;
As Argive Clytemnestra saw out-burn
The flagrant signal of her lord's return,
Unto the wanderers' ships, or as day fills
The brazen sky, so blaze the daffodils;
As Argive Clytemnestra saw out-burn
The flagrant signal of her lord's return,
Afar, clear-shining on the herald hills,
In vale and dell so blaze the daffodils;
As when upon her cloud-o'er-muffled steep
Œnone saw the fires of Troia leap,
And laugh'd, so, so along the bubbling rills
As when upon her cloud-o'er-muffled steep
Œnone saw the fires of Troia leap,
And laugh'd, so, so along the bubbling rills
In lemon-tinted lines, so blaze the daffodils.
Come forth, come forth, my music flows for thee,
A quenchless grieving of love melody.
A quenchless grieving of love melody.
– W.B. Yeats (1885)