Anonymous Printmaker Pressmark of Peter Brubach – Frankfurt 1544 woodcut (Janus Head) Museum für Angewandte Kunst, Vienna |
Anonymous Printmaker Pressmark of Peter Brubach – Frankfurt 1562 woodcut and letterpress (Janus Head) Museum für Angewandte Kunst, Vienna |
Anonymous Printmaker Pressmark of Gabriel Cotier – Lyon 1562 woodcut (Mercury) Museum für Angewandte Kunst, Vienna |
Anonymous Printmaker Pressmark of Andreas Cratander – Basel ca. 1525 woodcut (Fortuna) Museum für Angewandte Kunst, Vienna |
Anonymous Printmaker Pressmark of Nicolaus Episcopus – Basel 1564 woodcut and letterpress (Stork, Sceptre, Hand, Cloud) Museum für Angewandte Kunst, Vienna |
Anonymous Printmaker Pressmark of Sigmund Feyerabend – Frankfurt 1572 woodcut and letterpress (Fame) Museum für Angewandte Kunst, Vienna |
Anonymous Printmaker Pressmark of Sigmund Feyerabend – Frankfurt ca. 1580 woodcut (Fame) Museum für Angewandte Kunst, Vienna |
Anonymous Printmaker Pressmark of Johann Froben – Basel 1518 woodcut (Caduceus) Museum für Angewandte Kunst, Vienna |
Anonymous Printmaker Colophon with Pressmark of Lucantonio Giunti – Venice 1495 woodcut and letterpress (Fleur de Lys) Herzog August Bibliothek, Wulfenbüttel |
Anonymous Printmaker Pressmark of Sebastian Gryphius – Lyon 1532 woodcut and letterpress (Griffin) Museum für Angewandte Kunst, Vienna |
Vincent Le Sueur Pressmark of Henri Albert Gosse – Geneva 1746 woodcut and letterpress (Allegorical Scenes) Herzog August Bibliothek, Wolfenbüttel |
Anonymous Printmaker Pressmark of Jiří Melantrich – Prague 1564 woodcut and letterpress (Coat of Arms) Museum für Angewandte Kunst, Vienna |
Anonymous Printmaker Pressmark of Erhard Ratdolt – Augsburg ca. 1485-90 color woodblock print and letterpress (Mercury with Caduceus) Museum für Angewandte Kunst, Vienna |
Anonymous Printmaker Pressmark of Giovanni Rossi – Bologna 1564 woodcut and letterpress (Mercury on Globe) Museum für Angewandte Kunst, Vienna |
Anonymous Printmaker Pressmark of Johannes Schott – Strasbourg 1512 woodcut and letterpress (Dagger with Monogram) Museum für Angewandte Kunst, Vienna |
Anonymous Printmaker Pressmark of Adriaan Vlacq –The Hague 1657 woodcut and letterpress (Phoenix) Museum für Angewandte Kunst, Vienna |
Unhappy Christmas Tree
An old woman believes that her Christmas tree wants to get married.
Her caretaker says:
–No, it's just a tree. See? Come here! Feel it!
The old woman feels a branch.
–Oh, you're right, it is a tree.
But the old woman is still worried.
–But inside . . . inside, there is a woman who wants to come out and get married.
The old woman will not be convinced she is wrong. She sits for an hour staring at the tree.
After an hour, the caretaker says:
–Come on, don't worry. It's only a tree.
–But it's so sad, it's so sad for her . . . With those little things all over her . . . Are they little men?
–No, don't worry, they're not little men. Those are your ornaments. You've had them for years. Every year we take them out and hang them on the tree.
–But they're hurting her! They're pinching her! She just wants to come out and get married.
– Lydia Davis, from Our Strangers: Stories (2023)
author's note: "The style and sensibility of "Unhappy Christmas Tree" benefit from the influence of Russell Edson, whose works have been excellent examples, over the years, of the very short and, sometimes, boldly absurd story."