Saturday, February 8, 2025

Eye Contact - III

Anonymous German Designer
John Deakin Photographs
(portrait of Francis Bacon)
1996
screenprint
(exhibition poster)
Museum Folkwang, Essen

Rineke Dijkstra
Montemor, Portugal, May 1, 1994
1994
C-print
Museum Folkwang, Essen

Magnus Enckell
Portrait of sculptor Madeleine Jouvray
1893-94
watercolor and gouache on paper
Ateneum Art Museum, Helsinki

Francis Cotes
Portrait of a Lady
1751
pastel
Huntington Library and Art Museum,
San Marino, California

Leendert van der Cooghen
Portrait of a Man
ca. 1670
drawing
Graphische Sammlung Albertina, Vienna

Peter Boy the Elder
Miniature Portrait of a Gentleman
ca. 1690
enamel
Gemäldegalerie, Staatliche Museen zu Berlin

Hans von Aachen
Portrait of sculptor Giambologna
ca. 1600
oil on canvas
Kunsthistorisches Museum, Vienna

Anonymous Flemish Artist
Portrait of a Young Man
(possibly René Descartes)
ca. 1625
oil on canvas
Musée des Augustins de Toulouse

Franz Krüger
Portrait Study of a Young Man
1826
drawing
Kupferstichkabinett, Staatliche Museen zu Berlin

Pietro Labruzzi
Portrait of architect Giuseppe Valadier
ca. 1795
oil on canvas
Art Institute of Chicago

Erna Lendvai-Dircksen
Young Man
ca. 1930
gelatin silver print
Museum Ludwig, Cologne

Guillaume Lethière
Young Woman with a Portfolio
ca. 1799
oil on canvas
Worcester Art Museum, Worcester, Massachusetts

Édouard Manet
Portrait of Berthe Morisot
1873
oil on canvas
(cut down by Manet from full length)
Musée Marmottan Monet, Paris

Man Ray
Ernest Hemingway
1923
gelatin silver print
Museum Ludwig, Cologne

Jan van Mieris
Portrait of a Lady
ca. 1680
oil on panel
Sinebrychoff Art Museum, Helsinki

Hans Holbein the Younger
Portrait of Hermann Hillebrandt von Wedigh
1533
oil on panel
Gemäldegalerie, Staatliche Museen zu Berlin

Persona

The mud-brown river is clotted with débris. 
And what can I do with these dark adhesions,
These unmoored pieces of the night?
They breathe their black into my day –

What can I do with these dark adhesions?
If dreams are rooms in which my self accretes,
They also breathe their black into my day.
As a mannikin, I set myself to work

In dreams or rooms in which my self accretes.
See me there with the pained carved face.
As a mannikin, I've set myself to work
Until the lost loved one appears

And sees me there with the pained, carved face.
I cannot get these wooden limbs to work
Until the lost loved one appears
To shrink at the slyness of my puppet-smile.

I cannot get these wooden limbs to work.
Nothing is different from nothing, I say,
And shrink at the slyness of my puppete's smile.
Chrysanthemum dragons shimmer in the room.

But nothing is different from nothing, I say,
These unmoored pieces of the night,
These chrysanthemum dragons shimmer in the room –
Still the mud-brown river is clotted with débris.

– Caitríona O'Reilly, The Sea Cabinet (2006)