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Louise Bourgeois Cell (Three White Marble Spheres) 1993 assemblage of steel, glass, marble and mirror Saint Louis Art Museum |
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Louise Bourgeois Paris Review 1994 aquatint, drypoint and stencils National Gallery of Victoria, Melbourne |
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Louise Bourgeois Triptych for the Red Room - I 1994 aquatint, drypoint and engraving National Gallery of Australia, Canberra |
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Louise Bourgeois Triptych for the Red Room - II 1994 aquatint, drypoint and engraving National Gallery of Australia, Canberra |
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Louise Bourgeois Triptych for the Red Room - III 1994 aquatint, drypoint and engraving National Gallery of Australia, Canberra |
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Louise Bourgeois Spider 1995 drypoint Minneapolis Institute of Art |
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Louise Bourgeois The View from the Bottom of the Well 1996 drypoint and aquatint National Gallery of Victoria, Melbourne |
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Louise Bourgeois Untitled 1996 textile fabric, stuffing, wood, glass North Carolina Museum of Art, Raleigh |
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Louise Bourgeois Quilting 1999 textile fabric and stuffing Moderna Museet, Stockholm |
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Louise Bourgeois Untitled 2001 textile fabric, stuffing, aluminum Roberts Institute of Art, London |
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Louise Bourgeois Hairy Spider 2001 drypoint Brooklyn Museum |
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Louise Bourgeois Spider Woman 2005 drypoint Whitney Museum of American Art, New York |
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Louise Bourgeois Untitled 2006 hand-colored drypoint Whitney Museum of American Art, New York |
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Louise Bourgeois Louise Bourgeois 2008 photogravure Whitney Museum of American Art, New York |
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Louise Bourgeois Looking for the Mother 2009-10 digital dye-print on textile fabric National Gallery of Australia, Canberra |
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Louise Bourgeois Reaching for You 2009-10- digital dye-print on textile fabric National Gallery of Australia, Canberra |
from October
The brightness of the day becomes
the brightness of the night;
the fire becomes the mirror.
My friend the earth is bitter; I think
sunlight has failed her.
Bitter or weary, it is hard to say.
Between herself and the sun,
something has ended.
She wants, now, to be left alone;
I think we must give up
turning to her for affirmation.
Above the fields,
above the roofs of the village houses,
the brilliance that made all life possible
becomes the cold stars.
Lie still and watch:
they give nothing but ask nothing.
From within the earth's
bitter disgrace, coldness and barrenness
my friend the moon rises:
she is beautiful tonight, but when is she not beautiful?
– Louise Glück (2006)