Litho - II

Kenyon Cox
Scribner's
The Last Quarter Century in America
1895
lithograph (poster)
Graphische Sammlung Albertina, Vienna

Hermann-Paul
Salon des Cent
1895
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Max Laeuger
Schiedmayer Pianofortefabrik
1895
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Giulio Angelo Liberale
Paprika Schlesinger
ca. 1895
lithograph (poster)
Graphische Sammlung Albertina, Vienna

Emil Orlik
Orlik - Prague
(logo for haberdasher)
ca. 1895
lithograph
Kupferstichkabinett, Staatliche Kunstsammlungen, Dresden

William McGregor Paxton
The Boston Sunday Herald
1895
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Eduard Veith
Jos. & Em. Bratmann - Olive Oil - Vienna
ca. 1895
lithograph
Graphische Sammlung Albertina, Vienna

Hermann Behrens
C.C. Meinhold & Sons, Dresden
1896
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Robert Fowler
Autumn Exhibition of Pictures
Walker Art Gallery, Liverpool
1896
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Edvard Munch
Death in the Sickroom
1896
lithograph
Kupferstichkabinett, Staatliche Museen zu Berlin

Armand Rasenfosse
L'Art Indépendant
1896
lithograph (poster)
Graphische Sammlung Albertina, Vienna

Louis John Rhead
Cassell's Magazine
1896
lithograph (poster)
Graphische Sammlung Albertina, Vienna

Félix Vallotton
The Green Hat
1896
lithograph
Graphische Sammlung, ETH Zürich

Edward Penfield
Harper's - April
1897
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Alfred Roller
Exhibition of Max Slevogt at Kunstsalon Eugen Artin
1897
lithograph (poster)
Graphische Sammlung Albertina, Vienna

Osmar Schindler
Internationale Kunstausstellung, Dresden
1897
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

The Lacedaemonians, when the war against those in Ithome grew long, amongst other their confederates sent for aid to the Athenians, who also came with no small forces under the command of Cimon.  They were sent for principally for their reputation in mural assaults, the long continuance of the siege seeming to require men of ability in that kind, whereby they might perhaps have gotten the place by force.  And upon this journey grew the first manifest dissension between the Lacedaemonians and the Athenians.  For the Lacedaemonians when they could not take the place by assault, fearing lest the audacious and innovating humour of the Athenians, whom withal they esteemed of a contrary race, might, at the persuasion of those in Ithome, cause some alteration if they stayed, dismissed them alone of all the confederates, not discovering their jealousy but alleging that they had no farther need of their service.  But the Athenians, perceiving that they were not sent away upon good cause but only as men suspected, made it a heinous matter, and conceiving that they had better deserved at the Lacedaemonians' hands, as soon as they were gone left the league which they had made with the Lacedaemonians against the Persians and became confederates with their enemies the Argives; and then both Argives and Athenians took the same oath and made the same league with the Thessalians. 

– from The Peloponnesian War as written by Thucydides (5th century BC) and translated by Thomas Hobbes (1628) and edited by David Grene (1959)