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| Antoine Pesne Samson and Delilah ca. 1720 oil on canvas Gemäldegalerie, Staatliche Museen zu Berlin |
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| Maarten van Heemskerck Samson and Delilah 1549 drawing (print study) Hamburger Kunsthalle |
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| Giampietrino (Giovanni Pietro Rizzoli) Salome with the Head of John the Baptist ca. 1510-30 oil on panel National Gallery, London |
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| William Dobson Salome receiving the Head of John the Baptist ca. 1640 oil on canvas Walker Art Gallery, Liverpool |
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| Ella Ferris Pell Salome 1890 oil on canvas Timken Museum of Art, San Diego |
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| Ernst Roeber Herodias 1884 oil on canvas Von der Heydt Museum, Wuppertal |
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| Hans Schwarz Judith with the Head of Holofernes ca. 1520 pearwood relief Bayerisches Nationalmuseum, Munich |
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| Georg Pencz Judith and Holofernes ca. 1541 engraving Graphische Sammlung, ETH Zürich |
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| Conrat Meit Judith with the Head of Holofernes ca. 1525-28 alabaster (partly painted) Bayerisches Nationalmuseum, Munich |
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| Matteo di Giovanni Judith with the Head of Holofernes ca. 1490-95 oil on panel Eskenazi Museum of Art, Indiana University, Bloomington |
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| Hendrik Goltzius Judith with the Head of Holofernes ca. 1590 drawing Crocker Art Museum, Sacramento, California |
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| Girolamo Ferroni after Carlo Maratti Judith with the Head of Holofernes 1705 etching Graphische Sammlung, ETH Zürich |
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| Shirin Neshat All Demons Flee 1995 gelatin silver print Guggenheim Museum, New York |
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| attributed to Sigismondo Coccapani Jael and Sisera ca. 1640 oil on canvas Musée des Beaux-Arts de Brest |
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| Corrado Giaquinto Medea ca. 1752-54 oil on canvas Pinacoteca Civica Fortunato Duranti, Montefortino |
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| Alfred J. Frueh Judith Anderson as Medea ca. 1947 ink and watercolor on paper National Portrait Gallery, Washington DC |
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| Peter Paul Rubens Head of Medusa after an Antique Gem before 1640 drawing Morgan Library, New York |
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| Caproni Brothers (Boston) The Rondanini Medusa 19th century plaster cast Blanton Museum of Art, Austin, Texas |
from The Ezra Pound Look-Alike
It's always the same man
Who looks like Ezra Pound
Stretched out on the sidewalk
In front of Victoria's Secret.
No one knows what to make of this catastrophe.
What's it like to be Pound's look-alike?
Every day he pulls New York City
Over himself like a blanket and sleeps.
The sidewalk is a stairway to paradise
Down Broadway to the open road.
The possibilities ahead turn around and beckon.
A woman is marvelously shaking the tambourine.
Each slab of cement has its own story.
Don't step on the sidewalk cracks or do.
Everything is magical.
Things are about to happen.
The pitter-patter of a police helicopter overhead
Looking for you
In the streets below
Says it is beautiful but also it is true.
So when America is over,
What is there after?
There's more America, comerado!
There's always more.
– Frederick Seidel (2018)

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