Thursday, May 28, 2026

Aggressors

Antoine Pesne
Samson and Delilah
ca. 1720
oil on canvas
Gemäldegalerie, Staatliche Museen zu Berlin


Maarten van Heemskerck
Samson and Delilah
1549
drawing (print study)
Hamburger Kunsthalle

Giampietrino (Giovanni Pietro Rizzoli)
Salome with the Head of John the Baptist
ca. 1510-30
oil on panel
National Gallery, London

William Dobson
Salome receiving the Head of John the Baptist
ca. 1640
oil on canvas
Walker Art Gallery, Liverpool

Ella Ferris Pell
Salome
1890
oil on canvas
Timken Museum of Art, San Diego

Ernst Roeber
Herodias
1884
oil on canvas
Von der Heydt Museum, Wuppertal

Hans Schwarz
Judith with the Head of Holofernes
ca. 1520
pearwood relief
Bayerisches Nationalmuseum, Munich 

Georg Pencz
Judith and Holofernes
ca. 1541
engraving
Graphische Sammlung, ETH Zürich

Conrat Meit
Judith with the Head of Holofernes
ca. 1525-28
alabaster (partly painted)
Bayerisches Nationalmuseum, Munich

Matteo di Giovanni
Judith with the Head of Holofernes
ca. 1490-95
oil on panel
Eskenazi Museum of Art, Indiana University, Bloomington

Hendrik Goltzius
Judith with the Head of Holofernes
ca. 1590
drawing
Crocker Art Museum, Sacramento, California

Girolamo Ferroni after Carlo Maratti
Judith with the Head of Holofernes
1705
etching
Graphische Sammlung, ETH Zürich

Shirin Neshat
All Demons Flee
1995
gelatin silver print
Guggenheim Museum, New York

attributed to Sigismondo Coccapani
Jael and Sisera
ca. 1640
oil on canvas
Musée des Beaux-Arts de Brest

Corrado Giaquinto
Medea
ca. 1752-54
oil on canvas
Pinacoteca Civica Fortunato Duranti, Montefortino

Alfred J. Frueh
Judith Anderson as Medea
ca. 1947
ink and watercolor on paper
National Portrait Gallery, Washington DC

Peter Paul Rubens
Head of Medusa after an Antique Gem
before 1640
drawing
Morgan Library, New York

Caproni Brothers (Boston)
The Rondanini Medusa
19th century
plaster cast
Blanton Museum of Art, Austin, Texas

from The Ezra Pound Look-Alike

It's always the same man
Who looks like Ezra Pound
Stretched out on the sidewalk
In front of Victoria's Secret.

No one knows what to make of this catastrophe.
What's it like to be Pound's look-alike?
Every day he pulls New York City
Over himself like a blanket and sleeps.

The sidewalk is a stairway to paradise
Down Broadway to the open road.
The possibilities ahead turn around and beckon.
A woman is marvelously shaking the tambourine.

Each slab of cement has its own story.
Don't step on the sidewalk cracks or do.
Everything is magical.
Things are about to happen.

The pitter-patter of a police helicopter overhead
Looking for you
In the streets below
Says it is beautiful but also it is true.

So when America is over,
What is there after?
There's more America, comerado!
There's always more.

– Frederick Seidel (2018)