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| Karl Friedrich Schinkel Gothic Church concealed by Tree 1810 lithograph Kupferstichkabinett, Staatliche Kunstsammlungen, Dresden |
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| Achille Parboni Ruins of Trajan's Market, Rome ca. 1820 lithograph Max Planck Institute for Art History, Florence |
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| Jacob Wilhelm Christian Roux after Friedrich Tiedemann Inner Thoracic Arteries 1822 lithograph (book illustration) Universitätsbibliothek Heidelberg |
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| Lorenzo Bianchi and Domenico Cuciniello Contadina di Terranova ca. 1825 lithograph Graphische Sammlung, ETH Zürich |
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| Anonymous French Artist Alexandra Feodorovna, Empress of Russia ca. 1826 lithograph Staatliche Graphische Sammlung, Munich |
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| Carl Boetticher Textile Pattern (velvet chasuble from Brandenburg Cathedral) ca. 1830-35 lithograph Kupferstichkabinett, Staatliche Museen zu Berlin |
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| Anonymous German Artist Clock-maker's Workshop in Dresden ca. 1835 lithograph Kupferstichkabinett, Staatliche Kunstsammlungen, Dresden |
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| Grobon Frères (François-Frédéric and Anthelme-Eugène) Pears ca. 1850-60 lithograph Museum für Angewandte Kunst, Vienna |
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| Joséphine Ducollet Head of Napoleon ca. 1870 lithograph Kupferstichkabinett, Kunstsammlungen der Veste Coburg |
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| Léonce Schérer Souvenirs de La Commune ca. 1872 lithograph Universitätsbibliothek Heidelberg |
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| Rodolphe Bresdin The Distant City 1873 lithograph Rhode Island School of Design, Providence |
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| Anonymous Italian Makers Six Views of Florence ca. 1875 lithographic postcards Max Planck Institute for Art History, Florence |
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| Hans Thoma Allegory of Lithography ca. 1880 drawing (print study) Städel Museum, Frankfurt |
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| Georges Meunier Otard Dupuis & Co. - Cognac 1890 lithograph (poster) Graphische Sammlung Albertina, Vienna |
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| Fritz Rehm Multiplex Gasfernzünder ca. 1890-95 lithograph (poster) Kunstbibliothek, Staatliche Museen zu Berlin |
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| Henri de Toulouse-Lautrec Le Matin (magazine) 1893 lithograph (poster) Museum Folkwang, Essen |
When the Athenians had thus gotten the command by the confederates' own accord for the hatred they bare to Pausanias, they then set down an order which cities should contribute money for this war against the barbarians, and which galleys. For they pretended to repair the injuries they had suffered by laying waste the territories of the king. And then first came up amongst the Athenians the office of treasurers of Greece, who were receivers of the tribute, for so they called this money contributed. And the first tribute that was raised came to four hundred and sixty talents. The treasury was at Delos, and their meetings were kept there in the temple.
* * *
Amongst other causes of revolts the principal was their failing to bring in their tribute and galleys and their refusing (when they did so) to follow the wars. For the Athenians exacted strictly and were grievous to them by imposing a necessity of toil which they were neither accustomed nor willing to undergo. They were also otherwise not so gentle in their government as they had been, nor followed the war upon equal terms, and could easily bring back to their subjection such as should revolt. And of this the confederates themselves were the causes. For through this refusal to accompany the army the most of them, to the end they might stay at home, were ordered to excuse their galleys with money, as much as it came to, by which means the navy of the Athenians was increased at the cost of the confederates, and themselves unprovided and without means to make war in case they should revolt.
– from The Peloponnesian War as written by Thucydides (5th century BC) and translated by Thomas Hobbes (1628) and edited by David Grene (1959)