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| Anonymous Spanish Maker Purse ca. 1675 embroidered silk and linen Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous French Maker Reticule ca. 1810 crocheted silk netting with steel beads Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous Tibetan Maker Money Pouch 19th century leather, trimmed with gold and silver repoussé National Museum of Natural History, Washington DC |
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| Anonymous French Maker Pocketbook with Lock ca. 1850 morocco leather with silver fittings Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous American Maker Reticule ca. 1917-18 beaded silk on metal frame National Museum of Natural History, Washington DC |
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| Jacques Majorelle and Andrée Longueville Folding Purse 1920 leather embroidered in silk Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous American Maker Evening Bag ca. 1920-30 beaded silk satin on celluloid frame National Museum of Natural History, Washington DC |
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| Anonymous Philippine Maker Handbag ca. 1949-50 raffia on wooden frame with leather and brass National Museum of Natural History, Washington DC |
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| Anonymous American Maker Clutch Bag from Saks Fifth Avenue, New York 1964 leather on metal frame National Museum of Natural History, Washington DC |
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| Michaele Vollbracht Bloomingdale's Shopping Bag, New York ca. 1978 screenprint on paper bag Cooper Hewitt, Smithsonian Design Museum |
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| Michaele Vollbracht Bloomingdale's Shopping Bag, New York ca. 1978 screenprint on paper bag Cooper Hewitt, Smithsonian Design Museum |
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| Michaele Vollbracht Bloomingdale's Shopping Bag, New York ca. 1978 screenprint on paper bag Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous American Designer Clarence House Shopping Bag, New York 1978 offset-print on paper bag Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous American Designer Bloomingdale's Shopping Bag, New York 1982 offset-print on paper bag Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous American Designer Bloomingdale's Shopping Bag, New York 1984 offset-print on paper bag Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous American Designer Bloomingdale's Shopping Bag, New York 1987 offset-print on paper bag Cooper Hewitt, Smithsonian Design Museum |
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| Anonymous American Designer Bloomingdale's Shopping Bag, New York 1989 offset-print on paper bag Cooper Hewitt, Smithsonian Design Museum |
The End of Summer
I'm from St. Louis and Budweiser.
I'm from the Seidel Coal and Coke Company and the Mississippi.
I'm from the old streets near Forest Park,
And T.S. Eliot and the B-movie actress Virginia Mayo.
My mother thought she was the daughter of Helen Traubel,
The vast Wagnerian soprano born in St. Louis,
And thought J. Edgar Hoover, head of the FBI, was probably her father.
I'm from Stan Musial and the Brown Shoe Company.
I remember the brick alleys behind the massive houses.
Palaces and their stables (turned into garages) lined the outside of a long oval.
At each end was a turreted guardhouse above the iron gates.
These were the famous St. Louis private streets.
Imagine freestanding Florentine palazzi on little American plots,
Complete with rusticated masonry and brutal grandeur.
H.H. Richardson, the designer of Harvard's Sever Hall,
Designed one of them, forty-seven rooms in all, hardly small.
Vandeventer Place and Portland Place and Westmoreland.
The Congress Hotel and the Senate Apartments.
Lindbergh's medals were on display nearby on Lindell Boulevard.
I could climb down an embankment and play on the train tracks.
Where demolished Vandeventer Place once stood,
Some magnificence where Teddy Roosevelt once stayed,
Was not that far from the demolished Opera House, where
Mother took me to hear Traubel with the visiting Metropolitan Opera.
My father had a season box at the outdoor Muny Opera.
My father had a cop he paid who parked our car there.
The 1904 World's Fair was in the magical Forest Park night air.
I hear crickets singing in the dark sweet Missouri heat their insolent despair.
– Frederick Seidel (2016)


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