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| Edward Steichen Greta Garbo and John Gilbert 1928 gelatin silver print Art Institute of Chicago |
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| Georgia O'Keeffe Three Eggs in Pink Dish 1928 oil on canvas New Mexico Museum of Art, Santa Fe |
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| John Carl Ely McGee's Shop 1928 etching Seattle Art Museum |
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| Maurice Henry Undersea Painting 1928 oil on panel Musée des Beaux-Arts de Reims |
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| Pierre Bonnard Flowers against Red Carpet 1928 oil on canvas Musée des Beaux-Arts de Lyon |
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| Joaquín Torres-García Café Riche, Paris 1928 oil on canvas Dallas Museum of Art |
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| Rockwell Kent Flame 1928 wood-engraving Akron Art Museum, Ohio |
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| Robert Henri Annie Lavelle 1928 oil on canvas Mount Holyoke College Art Museum, South Hadley, Massachusetts |
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| Otto Dix Portrait of Martha Dix 1928 mixed media on panel Museum Folkwang, Essen |
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| George Luks Mike the Bite 1928 oil on canvas Portland Art Museum, Oregon |
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| Jean Souverbie Thetis and Jupiter 1928 oil on canvas Göteborgs Konstmuseum, Sweden |
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| Gustave de Smet Backstage 1928 oil on canvas Kunstmuseum, The Hague |
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| Ludwig Hohlwein Wear Jewelry 1928 offset print (poster) Kunstbibliothek, Staatliche Museen zu Berlin |
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| Berenice Abbott Portrait of modernist publisher Jane Heap 1928 gelatin silver print Clark Art Institute, Williamstown, Massachusetts |
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| Franz Radziwill Wilhelmshaven 1928 oil on canvas Von der Heydt Museum, Wuppertal |
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| Karl Hugo Schmölz Radio Director Ernst Hardt in Cologne Studio 1928 gelatin silver print Museum Folkwang, Essen |
Heard and Seen
Events reported by the ear
Are soft or loud, not far or near,
In what is heard we only sense
Transition and impermanence:
A bark, a laugh, a rifle-shot,
These may concern us or may not.
What-has-been and what-is-to-be
To vision form a unity:
The seen hill stays the way it is,
But forecasts greater distances,
And we acknowledge with delight
A so-on after every sight.
– W.H. Auden (1969)