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| Eugène Atget Le Flegmatique by Mathieu Lespagnandelle (statue at Versailles) 1923 gelatin silver print Princeton University Art Museum |
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| Andrew Dasburg Judson Smith 1923 oil on canvas Dallas Museum of Art |
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| Guy Pène Du Bois Studio, Lafayette Street 1923 oil on canvas Fralin Museum of Art, Charlottesville, Virginia |
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| Marcel Duchamp Discs Bearing Spirals 1923 drawing Seattle Art Museum |
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| El Lissitzky For the Voice by Vladimir Mayakovsky 1923 bookbinding (printed textile) Nasher Museum of Art, Durham, North Carolina |
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| El Lissitzky Untitled 1923 lithograph Dallas Museum of Art |
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| Naum Gabo Constructed Head no. 2 1923 rhodoid (early form of plastic) Dallas Museum of Art |
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| Hans Gjesme Life Class 1923 drawing Sogn og Fjordane Kunstmuseum, Norway |
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| Ludwig Hohlwein Springer & Möller Farbwerke, Leipzig 1923 lithograph (poster) Kunstbibliothek, Staatliche Museen zu Berlin |
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| Alexander Kanoldt Cactus Still Life 1923 oil on canvas Lenbachhaus, Munich |
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| André Lhote Portrait of Marguerite 1923 oil on canvas Musée des Beaux-Arts de Bordeaux |
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| László Moholy-Nagy Composition A XI 1923 oil on canvas Kunstmuseum, The Hague |
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| Sigismund Righini Family 1923 colored pencils on paper Graphische Sammlung, ETH Zürich |
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| M. Curt Schmidt Cab in the Rain 1923 bromide print Kunstbibliothek, Staatliche Museen zu Berlin |
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| Carlos Schwabe Faun 1923 drawing Cabinet d'Arts Graphiques des Musées d'Art et d'Histoire, Genève |
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| Edward Steichen Ruth Draper in The Wedding Bells 1923 gelatin silver print Art Institute of Chicago |
from Shorts II
When gales assault them,
trees are always astonished,
but never ask why.
* * *
Our tables and chairs and sofas
know things about us
our lovers can't.
* * *
Only bad rhetoric
can improve the world:
to true Speech it is deaf.
* * *
It is the unimportant
It is the unimportant
who make all the din:
both God and the Accuser
speak very softly.
– W.H. Auden (1969-71)