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| George Bellows The Skeleton 1916 oil on canvas Wichita Art Museum, Kansas |
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| Pierre Bonnard Young Woman at her Toilette 1916 oil on canvas Dallas Museum of Art |
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| Patrick Henry Bruce Composition VI 1916 oil on canvas Museum of Fine Arts, Houston |
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| Lovis Corinth Portrait of pharmacist Otto Winter 1916 oil on canvas Landesmuseum, Hannover |
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| Giorgio de Chirico Metaphysical Interior with Biscuits 1916 oil on canvas Menil Collection, Houston |
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| Robert Delaunay Portuguese Still Life 1916 oil on canvas Dallas Museum of Art |
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| Henri Duhem L'Hôtel du Grand Cerf 1916 watercolor on paper Musée de la Chartreuse, Douai |
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| Natalia Goncharova Costume Design for Spanish Dancer 1916 watercolor and gouache on paper McNay Art Museum, San Antonio, Texas |
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| Marsden Hartley Movement, Bermuda 1916 oil on board Barnes Foundation, Philadelphia |
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| Odilon Redon Centaur and Woman 1916 watercolor on paper Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Auguste Renoir Roses et Petit Nu 1916 oil on canvas Barnes Foundation, Philadelphia |
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| Olga Rozanova Suprematism 1916 oil on canvas State Tretyakov Gallery, Moscow |
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| John Singer Sargent Tent in the Rockies 1916 watercolor on paper Isabella Stewart Gardner Museum, Boston |
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| Morton Schamberg Composition 1916 pastel on paper Dallas Museum of Art |
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| Gino Severini Fruit Bowl 1916 oil on panel Kunstmuseum, The Hague |
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| John Sloan Self Portrait 1916 oil on canvas Hood Museum of Art, Dartmouth College, Hanover, New Hampshire |
from Unpredictable But Providential
The ponderous ice-dragons
performed their slow-motion ballet: continents cracked in half
and wobbled drunkenly over the waters: Gondwana
smashed head on into the under-belly of Asia.
But catastrophes only encouraged experiment.
As a rule, it was the fittest who perished, the mis-fits,
forced by failure to emigrate to unsettled niches, who
altered their structure and prospered. (Our own shrew-ancestor
was a Nobody, but still could take himself for granted,
with a poise our grandees will never acquire.)
– W.H. Auden (1972)








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