Thursday, July 2, 2026

Visual Preferences (20th Century: 1916)

George Bellows
The Skeleton
1916
oil on canvas
Wichita Art Museum, Kansas

Pierre Bonnard
Young Woman at her Toilette
1916
oil on canvas
Dallas Museum of Art

Patrick Henry Bruce
Composition VI
1916
oil on canvas
Museum of Fine Arts, Houston

Lovis Corinth
Portrait of pharmacist Otto Winter
1916
oil on canvas
Landesmuseum, Hannover

Giorgio de Chirico
Metaphysical Interior with Biscuits
1916
oil on canvas
Menil Collection, Houston

Robert Delaunay
Portuguese Still Life
1916
oil on canvas
Dallas Museum of Art

Henri Duhem
L'Hôtel du Grand Cerf
1916
watercolor on paper
Musée de la Chartreuse, Douai

Natalia Goncharova
Costume Design for Spanish Dancer
1916
watercolor and gouache on paper
McNay Art Museum, San Antonio, Texas

Marsden Hartley
Movement, Bermuda
1916
oil on board
Barnes Foundation, Philadelphia

Odilon Redon
Centaur and Woman
1916
watercolor on paper
Loeb Art Center, Vassar College,
Poughkeepsie, New York

Auguste Renoir
Roses et Petit Nu
1916
oil on canvas
Barnes Foundation, Philadelphia

Olga Rozanova
Suprematism
1916
oil on canvas
State Tretyakov Gallery, Moscow

John Singer Sargent
Tent in the Rockies
1916
watercolor on paper
Isabella Stewart Gardner Museum, Boston

Morton Schamberg
Composition
1916
pastel on paper
Dallas Museum of Art

Gino Severini
Fruit Bowl
1916
oil on panel
Kunstmuseum, The Hague

John Sloan
Self Portrait
1916
oil on canvas
Hood Museum of Art,
Dartmouth College, Hanover, New Hampshire

from Unpredictable But Providential 

                               The ponderous ice-dragons
performed their slow-motion ballet: continents cracked in half
and wobbled drunkenly over the waters: Gondwana
smashed head on into the under-belly of Asia.
But catastrophes only encouraged experiment.
As a rule, it was the fittest who perished, the mis-fits,
forced by failure to emigrate to unsettled niches, who
altered their structure and prospered. (Our own shrew-ancestor
was a Nobody, but still could take himself for granted,
with a poise our grandees will never acquire.)

– W.H. Auden (1972)