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| Martin Mazorra Indivisible 2017 linocut San Francisco Museum of Modern Art |
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| Anonymous Italian Printmaker Memento Mori ca. 1740 chiaroscuro woodcut (funerary placard) Ashmolean Museum, Oxford |
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| Alison Saar Hepcat 2019 linocut Crocker Art Museum, Sacramento, California |
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| Antonio Fantuzzi (Antonio da Trento) after Parmigianino Martyrdom of St Peter and St Paul ca. 1545 chiaroscuro woodcut Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Georg Baselitz Nude with Three Arms 1977 hand-colored linocut Museum of Modern Art, New York |
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| Raoul Dufy Apollo 1911 woodcut Museum of Modern Art, New York |
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| Ludwig Hirschfeld-Mack Hay Camp, New South Wales (for prisoners-of-war) 1941 woodcut British Museum |
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| Sophie Tauber-Arp Untitled 1941 linocut Museum of Modern Art, New York |
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| Jan Swart van Groningen Suleyman the Great 1526 hand-colored woodcut British Museum |
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| Anselm Kiefer Grane ca. 1980-90 hand-colored woodcut Museum of Modern Art, New York |
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| Monogrammist 4+ (German printmaker) Judith with the Head of Holofernes 1565 woodcut British Museum |
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| Alexey Brodovitch Martini (Turin) 1926 linocut Museum of Modern Art, New York |
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| Alex Katz Forest 2009 woodcut and linocut Museum of Modern Art, New York |
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| Christian Rohlfs Prisoner 1918 woodcut Museum of Modern Art, New York |
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| Pablo Picasso Nature Morte à la Bouteille 1962 linocut Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Lyubov Popova Untitled ca. 1917-19 hand-colored linocut Museum of Modern Art, New York |
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| Max Bill Untitled 1941 color woodblock print Museum of Modern Art, New York |
Besides its unreasonableness, there is an even more serious objection to Blake's mysticism – and indeed to all mysticism: its lack of humanity. The mystic's creed – even when arrayed in the wondrous and ecstatic beauty of Blake's verse – comes upon the ordinary man, in the rigidity of its uncompromising elevation, with a shock which is terrible, and almost cruel. The sacrifices which it demands are too vast, in spite of the divinity of what it has to offer. What shall it profit a man, one is tempted to exclaim, if he gain his own soul, and lose the whole world? The mystic ideal is the highest of all; but it has no breadth.
– Lytton Strachey on William Blake (1906)