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| Milton Avery Portrait of Annette Kaufman 1932 oil on panel Portland Art Museum, Oregon |
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| Max Beckmann Gypsy Girl II (Ilonka) 1932 oil on canvas Museum Ludwig, Cologne |
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| Karl Blossfeldt Bryonia alba 1932 photogravure Akron Art Museum, Ohio |
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| Pierre Bonnard White Interior 1932 oil on canvas Musée de Grenoble |
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| James Brooks Self Portrait 1932 oil on canvas Dallas Museum of Art |
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| Paul Citroen Self Portrait with Camera 1932 gelatin silver print Kunstmuseum, The Hague |
-Mus%C3%A9es-d'Art-et-d'Histoire-Gen%C3%A8ve.jpeg) |
| Jean Dunand Self Portrait 1932 mosaic of stone and glass tiles Musées d'Art et d'Histoire, Genève |
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| Arvid Fougstedt The Balcony 1932 oil on canvas Moderna Museet, Stockholm |
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| Don Freeman Ballet from Band Wagon 1932 lithograph Fralin Museum of Art, Charlottesville, Virginia |
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| Honoré Guilbeau Evening 1932 lithograph Akron Art Museum, Ohio |
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| Honoré Guilbeau Night 1932 lithograph Akron Art Museum, Ohio |
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| Raymond Jonson Variations on Rhythm P 1932 oil on canvas Dallas Museum of Art |
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| Martin Lewis Cronies 1932 aquatint Wichita Art Museum, Kansas |
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| Leo John Meissner Stairway 1932 wood-engraving Seattle Art Museum |
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| Lloyd Sargent South Akard Street 1932 oil on canvas Dallas Museum of Art |
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| Steuben Glass Works Diana Vase 1932 blown and engraved glass Wichita Art Museum, Kansas |
from Marginalia
Fate succumbs
many a species: one alone
jeopardises itself.
* * *
Needing above all
silence and warmth, we produce
brutal cold and noise.
* * *
Wicked deeds have their glamour,
but those who commit them
are always bores.
* * *
In semi-literate countries
demagogues pay
court to teen-agers.
* * *
The Queen fled, leaving
books behind her
that shocked the pious usurper.
* * *
Mulberries dropping,
twinges of lumbago,
as he read Clarendon.
– W.H. Auden (1965-68)