Showing posts with label planets. Show all posts
Showing posts with label planets. Show all posts

Saturday, July 18, 2026

Alto

Anonymous Russian Artist
Astronomical Diagram
1917
lithograph
(poetic text by Vasily Kamensky)
Cabinet d'Arts Graphiques des Musées d'Art et d'Histoire, Genève

Walter Dexel
Bridge of Stars
1919
woodcut
Städtisches Museum, Braunschweig

Hans Burgkmair the Younger
Stars falling from the Sky
ca. 1550
drawing
(Bible illustration - Apocalypse)
Museum für Angewandte Kunst, Vienna

Conrad Martin Metz
Centaur Chiron instructing Achilles in Astronomy
1804
drawing
Graphische Sammlung Albertina, Vienna

Anonymous German Artist
Suns and Moons with Faces
ca. 1575
woodcut
Herzog August Bibliothek, Wolfenbüttel

Hans Wolff Glaser
Miraculous Face in the Moon over Nuremberg, seen by Many
1561
hand-colored woodcut and letterpress
(broadside)
Graphische Sammlung, Zentralbibliothek Zürich

Hans Schäufelein
Earthquake and Fire from Heaven
1523
woodcut
(Bible illustration - Apocalypse)
Graphische Sammlung Albertina, Vienna

Monogrammist IB
Sol
(series, Seven Planets)
1528
engraving
Graphische Sammlung, ETH Zürich

Monogrammist IB
Mercury
(series, Seven Planets)
1528
engraving
Graphische Sammlung, ETH Zürich

Monogrammist IB
Venus
(series, Seven Planets)
1528
engraving
Graphische Sammlung, ETH Zürich

Étienne Delaune
Venus
(series, Seven Planets)
1557
engraving
Graphische Sammlung, ETH Zürich

Anonymous German Artist
Mars
(series, Seven Planets)
ca. 1550-75
woodcut
Herzog August Bibliothek, Wulfenbüttel

Jan Sadeler the Elder after Marten de Vos the Elder
Astronomy
(series, Seven Liberal Arts)
ca. 1590
engraving
Museum für Angewandte Kunst, Vienna

Jacques de Gheyn II
Portrait of astronomer Tycho Brahe
ca. 1595
engraving
Graphische Sammlung, ETH Zürich

Johann Theodor de Bry
Portrait of astrologer Luca Gaurico
ca. 1615
engraving
Herzog August Bibliothek, Wolfenbüttel

Anonymous German Artist
Geometer and Astronomer
16th century
woodcut
Herzog Anton Ulrich Museum, Braunschweig

But the contrary faction to the traitors being superior in number, whereby the gates were not opened presently, both they and Eucles the general, who was then there for the Athenians to keep the town, sent unto the other general, Thucydides, the son of Olorus, the writer of this history, who had charge in Thrace, and was now about Thasos (which is an island and a colony of the Parians, distant from Amphipolis about half a day's sail), requiring him to come and relieve them.  When he heard the news, he went thitherwards in all haste with seven galleys, which chanced to be with him at that time.  His purpose principally was to prevent the yielding up of Amphipolis; but if he should fail of that, then to possess himself of Eion before Brasidas' coming.

Brasidas, in the meantime, fearing the aid of the galleys to come from Thasos, and having also been informed that Thucydides possessed mines of gold in the parts of Thrace thereabouts, and was thereby of ability amongst the principal men of the continent, hasted by all means to get Amphipolis before he should arrive, lest otherwise at his coming the commons of Amphipolis, expecting that he would levy confederates both from the sea-side and in Thrace, and relieve them, should thereupon refuse to yield.  And to that end offered them a moderate composition.  . . .  When the commons heard this, their minds were turned; and the rather, because the Athenians amongst them were but few, and the most were a promiscuous multitude; and the kinsmen of those that were taken without flocked together within.  And in respect of their fear, they all thought the proclamation reasonable; the Athenians thought it so because they were willing to go out, as apprehending their own danger to be greater than that of the rest, and withal, not expecting aid in haste; and the rest of the multitude, as being thereby both delivered of the danger, and withal to retain their city with the equal form of government.  Insomuch that they which conspired with Brasidas now openly justified the offer to be reasonable; and seeing the minds of the commons were now turned and that they gave ear no more to the words of the Athenian general, they compounded, and upon the conditions proclaimed received him.  Thus did these men deliver ujp the city.  Thucydides with his galleys arrived in the evening of the same day at Eion.*

– from The Peloponnesian War as written by Thucydides (5th century BC) and translated by Thomas Hobbes (1628) and edited by David Grene (1959)

*This is a very impersonal statement of Thucydides' great failure as a military commander.  As he records later, he was disgraced for his failure to save Amphipolis and was banished from Athens. 

Wednesday, July 8, 2026

Sebald

Sebald Beham
Eve seated on Tree Stump
1519
engraving
Herzog Anton Ulrich Museum, Braunschweig

Sebald Beham
Adam with Serpent and Apple
1524
engraving
Graphische Sammlung, ETH Zürich

Sebald Beham
Adam and Eve
1529
engraving
Herzog Anton Ulrich Museum, Braunschweig

Sebald Beham
Man of Sorrows at Foot of the Cross
1520
engraving
Graphische Sammlung Albertina, Vienna

Sebald Beham
Allegorical Figure - Cognicio
ca. 1540
engraving
Herzog Anton Ulrich Museum, Braunschweig

Sebald Beham
Allegorical Figure - Fortitudo
1539
engraving
Herzog Anton Ulrich Museum, Braunschweig

Sebald Beham
Allegorical Figure - Fortuna
1541
hand-colored engraving
Herzog Anton Ulrich Museum, Braunschweig

Sebald Beham
Allegorical Figure - Justicia
ca. 1540
engraving
Herzog Anton Ulrich Museum, Braunschweig

Sebald Beham
Allegorical Figure - Melancolia
1539
engraving
Herzog Anton Ulrich Museum, Braunschweig

Sebald Beham
Allegorical Figure - Temperancia
1539
engraving
Herzog Anton Ulrich Museum, Braunschweig

Sebald Beham
Leda and the Swan
1548
engraving
Herzog Anton Ulrich Museum, Braunschweig

Sebald Beham
Joseph and Potiphar's Wife
1544
engraving
Graphische Sammlung, ETH Zürich

Sebald Beham
Grammatica
(series, Seven Liberal Arts)
before 1550
engraving
Herzog Anton Ulrich Museum, Braunschweig

Sebald Beham
Saturn
(series, Seven Planets)
ca. 1539
engraving
Herzog Anton Ulrich Museum, Braunschweig

Sebald Beham
Venus
(series, Seven Planets)
ca. 1539
engraving
Herzog Anton Ulrich Museum, Braunschweig

Sebald Beham
Moses and Aaron
1526
engraving
Herzog Anton Ulrich Museum, Braunschweig

The Athenians and Rhegians that were now in Sicily made war the same winter on the islands called the islands of Aeolus with thirty galleys.  For in summer it was impossible to war upon them for the shallowness of the water.  These islands are inhabited by the Liparaeans who are a colony of the Cnidians and dwell in one of the same islands, no great one, called Lipara, and thence they go forth and husband the rest which are Didyme, Strongyle, and Hiera.  The inhabitants of those places have an opinion that in Hiera Vulcan exerciseth the craft of a smith.  For it is seen to send forth abundance of fire in the daytime and of smoke in the night.  These islands are adjacent to the territory of the Siculi and Messanians but were confederates of the Syracusians.  When the Athenians had wasted their fields and saw they would not come in, they put off again and went to Rhegium.  And so ended this winter and the fifth year of this war written by Thucydides.

The next summer the Peloponnesians and their confederates came as far as the isthmus under the conduct of Agis the son of Archidamus, intending to have invaded Attica, but by reason of the many earthquakes that then happened, they turned back, and the invasion proceeded not.  About the same time (Euboea being then troubled with earthquakes), the sea came in at Orobiae on the part which then was land and, being impetuous withal, overflowed most part of the city, whereof part it covered and part it washed down and made lower in the return so that it is now sea which before was land.  And the people, as many as could not prevent it by running up into the higher ground, perished.

– from The Peloponnesian War as written by Thucydides (5th century BC) and translated by Thomas Hobbes (1628) and edited by David Grene (1959)

Monday, July 6, 2026

Aldegrever

Heinrich Aldegrever
Self Portrait at age 35
1537
engraving
Herzog Anton Ulrich Museum, Braunschweig

Heinrich Aldegrever
Standard-Bearer before a Seascape
1540
engraving
Graphische Sammlung, ETH Zürich

Heinrich Aldegrever
Man wreathed with Vine Leaves
1528
engraving
Herzog Anton Ulrich Museum, Braunschweig

Heinrich Aldegrever
Ornamental Panel with Grotesques
1550
engraving
Herzog Anton Ulrich Museum, Braunschweig

Heinrich Aldegrever
Orpheus and Eurydice
1528
engraving
Herzog Anton Ulrich Museum, Braunschweig

Heinrich Aldegrever
Portrait of Bernt Knipperdolling
1536
engraving
Herzog Anton Ulrich Museum, Braunschweig

Heinrich Aldegrever
Luna
(series, The Seven Planets)
1533
engraving
Graphische Sammlung, ETH Zürich

Heinrich Aldegrever
Mercury
(series, The Seven Planets)
1533
engraving
Graphische Sammlung, ETH Zürich

Heinrich Aldegrever
Susanna and the Elders
1555
engraving
Graphische Sammlung, ETH Zürich

Heinrich Aldegrever
Lot and his Daughters
1555
engraving
Kunsthalle Mannheim

Heinrich Aldegrever
Expulsion from Paradise
1540
engraving
Herzog Anton Ulrich Museum, Braunschweig

Heinrich Aldegrever
Mucius Scaevola before Lars Porsena
1530
engraving
Graphische Sammlung, ETH Zürich

Heinrich Aldegrever
Design for Dagger Sheath
with the Whore of Babylon

1528
engraving
Graphische Sammlung, ETH Zürich

Heinrich Aldegrever
Allegorical Figure - Pax
1549
engraving
Herzog Anton Ulrich Museum, Braunschweig

Heinrich Aldegrever
Allegorical Figure - Pauperitas
1549
engraving
Herzog Anton Ulrich Museum, Braunschweig

Heinrich Aldegrever
Allegorical Figure - Concordia
1549
engraving
Graphische Sammlung, ETH Zürich

Heinrich Aldegrever (1502-ca. 1555) – Accomplished German draftsman and engraver, a brittle imitator of Dürer, specializing in tiny highly finished prints mainly of religious and allegorical subjects.

– Erika Langmuir and Norbert Lynton, Yale Dictionary of Art and Artists (2000) 

[a bit of backhanded sneering here at honest old Aldegrever – who merits a kinder tone]

Sunday, July 21, 2024

Mars - I

Donato Creti
Astronomical Observations - Mars
1711
oil on canvas
Pinacoteca Vaticana, Rome

Edmund Joseph Sullivan
Mars at the Telephone
1901
drawing
(print study)
Morgan Library, New York

Louis-Jean-François Lagrenée
Bellona presenting Mars with the Reins of his Horses
1766
oil on canvas
Princeton University Art Museum

Carlo Lasinio after Raphael
Mars
ca. 1810
engraving
Harvard Art Museums

Nicolas Guinier
Mars battling the Constellation Centaurus
1601
bronze medallion
National Gallery of Art, Washington DC

Hans Weiditz
Mars
ca. 1520
woodcut
Ashmolean Museum, Oxford

Anonymous Roman Artist
Mars
ca. 1620
oil on canvas
Museum of Fine Arts, Budapest

Master of 1515
Mars bound and blindfolded by Cupid
ca, 1515-20
drypoint
Graphische Sammlung Albertina, Vienna

Jan van Bijlert
Mars bound by Amoretti
ca. 1650
oil on canvas
Chrysler Museum of Art, Norfolk, Virginia

Agostino Carracci after Jacopo Tintoretto
Minerva protecting Peace and Abundance from Mars
1589
engraving
Art Institute of Chicago

Lucas van Leyden
Mars, Venus and Cupid
1530
engraving
Ashmolean Museum, Oxford

Ernest-Louis Lessieux
Mars
ca. 1890
lithographic postcard
Museum of Fine Arts, Boston

Chelsea Porcelain Manufactory
Mars
ca. 1755
porcelain
Museum of Fine Arts, Boston

Jan Saenredam after Hendrik Goltzius
Mars presiding over the Art of War
1596
engraving
Kunstmuseum, Basel

Jean-Auguste-Dominique Ingres
Mars
1864
oil on canvas
Kunstmuseum, Basel

Antonio Ricciani after Antonio Canova
Napoleon as the God Mars
ca. 1810
etching and engraving
Graphische Sammlung Albertina, Vienna

from Mars

A "seeing night" astronomers would say,
No moon, no mist, a cold tranquillity.
Mars now makes its slow triumphant way
Above the trees, their colours struck, a fee
Of oaks, leaf-legions dead upon the field;
Mars now strides through ruin and defeat.
Bright minister of war, red ant,
Are you assured your carnage is complete?
I recognize those faces on your shield;
Before you, even love must yield:
Your tactic? Feigned retreat. Your orbit? Aberrant.

You double back, a tiger on its spoor,
Your unsuspecting hunters now the prey.
Their dogs are frenzied by the warm allure
Of cunning bait. Your killing's play,
And men no less than dogs are savaged so.
I see you through bare branches now, alone;
Napoleon reviewing Austerlitz,
Alaric reeling through the streets of Rome.
Wherever men have been there is that glow;
Indian jungle or Siberian snow –
Your light recoils through evil transits. 

– Patrick White (1976)