Tuesday, April 19, 2016

François Boucher and Denis Diderot

François Boucher
The Bath of Venus
1751
National Gallery of Art (U.S.)

"I don't know what to say about this man. Degradation of taste, color, composition, character, expression, and drawing have kept pace with moral depravity. What can we expect this artist to throw onto the canvas? What he has in his imagination. And what can be in the imagination of a man who spends his life with prostitutes of the basest kind? ... He can show me all the clouds he likes, I'll always see in them the rouge, the beauty spots, the powder puffs, and all the little vials of the make-up table."

So wrote the great Denis Diderot in his book-length report on the Salon of 1765. Yet these expressions of animosity were nothing new or unusual. Poor Boucher received rhetorical beatings from Diderot at frequent intervals. Boucher personified the frivolousness of rococo itself, of which Diderot deeply disapproved. But he considered that Boucher's truly gravest sin was to be old-fashioned, out of date, which also in this case involved moral corruption. Painting for the 1760s must no longer be Ornamental, but Enlightening. The irony is that most of the French artists preferred and advocated by Diderot have faded from view, while Boucher's work has continued to be endorsed, enjoyed and seriously admired by succeeding generations without interruption for 250 years.

François Boucher
Young girl with bird cage
18th century
drawing
Morgan Library, New York

François Boucher
Danaë receiving the shower of gold
1757
drawing
National Gallery of Art (U.S.)

François Boucher
Fallen Huntsman
ca. 1736
drawing
Metropolitan Museum of Art

François Boucher
Woman seen from the back
ca. 1720
etching
Clark Art Institute

François Boucher
Inspiration
18th century
drawing
Morgan Library, New York

François Boucher
 Pan and Syrinx
1759
National Gallery, London


François Boucher
Pan and Syrinx
ca. 1760-65
Prado

François Boucher
Madame de Pompadour
1758
Victoria & Albert Museum

François Boucher
Toilet of Venus
1751
Metropolitan Museum of Art
commissioned by Madame de Pompadour

François Boucher after Jean-AntoineWatteau
Standing woman from the back
ca. 1715-30
etching
Rijksmuseum

François Boucher
Man dressed as a woman
early 18th century
drawing
Rijksmuseum

François Boucher
Arion saved by a dolphin
1748
canvas
Princeton University Art Museum

François Boucher
Cupid wounding Psyche
1741
Los Angeles County Museum of Art