Friday, June 24, 2016

Marble Goddesses and Marble Women at the Prado

Cnidian Aphrodite
ca. AD 120-130
marble
Prado

The flow of marble sculpture from Italy to Spain was steady and abundant from the 16th through the 18th centuries. Royal agents or noble travelers who made these acquisitions in Italy consistently believed they were buying antiquities. In fact, the proportion of fakes and reproductions was high. Only about one-third of the Roman sculpture purchased for Spain is still believed to have been created by ancient Romans. The remainder was produced by modern Italian craftspeople, artists, and restorers, who yet themselves worked to an impressively high standard.

Double herm with Aphrodite and  Eros
ca. AD 35
marble
Prado

Bust of a noble matron
ca. AD 110-120
marble
Prado

Juno
16th century
marble
Prado

Venus
16th century
marble
Prado

Athena
17th century
marble
Prado

Bacchante
17th century
marble
Prado

Diana
18th century
marble
Prado

Idealized head
18th century
marble
Prado

Idealized head 
18th century
marble
Prado

Relief medallion 
17th century
marble
Prado

Relief medallion of Livia Augusta
17th century
marble
Prado

Relief of dancing Maenad
ca. AD 120-140
marble
Prado

Relief of dancing Maenad
ca. AD 120-140
marble
Prado

I am grateful for the beautiful reproductions made available by Museo del Prado.