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| printed and published by Hieronymus Cock from a design attributed to Frans Huys after Pieter Bruegel the Elder Dutch Hulk ca. 1565 engraving British Museum |
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| printed and published by Hieronymus Cock after a painting by Giorgio Vasari Six modern Italian authors Cavalcanti, Dante, Boccaccio, Petrarch, Poliziano, Ficino ca. 1548-70 engraving British Museum |
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| published by Hieronymus Cock engraved by Pieter van der Heyden based on a fresco by Andrea del Sarto Zachariah and the Archangel Gabriel 1551 engraving British Museum |
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| published by Hieronymus Cock engraved by Cornelis Cort after a design by Frans Floris The Virtues - Intelligentia 1560 engraving British Museum |
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| published by Hieronymus Cock engraved by Cornelis Cort after a design by Frans Floris The Virtues - Memoria 1560 engraving British Museum |
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| published by Hieronymus Cock engraved by Cornelis Cort after a design by Frans Floris The Virtues - Perseverantia 1560 engraving British Museum |
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| published by Hieronymus Cock engraved by Pieter van der Heyden after Raphael Sacrifice of Isaac 1552 engraving Rijksmuseum |
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| printed and published by Jan Punt after George van der Mijn Handbill for child dancers Carolina and Charlotta 1759 etching British Museum |
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| published by Johannes Smit etched by Jan Punt after Paulus van Liender Scene from The Rough Neighborhood at the Amsterdam Theater ca. 1738 etching British Museum |
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| printed and published by Jan Punt after Blaise Nicolas Lesueur after Titian Danaë and the shower of gold ca. 1747-60 etching, engraving British Museum |
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| Jan Punt Crowned Coat-of-Arms of the Landgrave of Thuringia 1742 engraving British Museum |
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| Jan Punt Cartouche with Bust of Minerva 1740 etching, engraving Rijksmuseum |
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| Jan Punt Vignette Interior with naked figures seated on chairs 1749 engraving British Museum |
André Chastel explains the point of view reflected from afar in Jan Punt's odd little engraving above – "For half a century, French taste went once again to extremes of pleasant frivolity, as though taking a break between periods of severe intellectualism; it was an era of gracefulness between the era of grandeur and that of eloquence."
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| Jan Punt Man opening the door to Death 1758 etching, engraving Rijksmuseum |