Jean-Baptiste Camille Corot Boatman among reeds ca. 1865 Metropolitan Museum of Art, New York |
Jean-Baptiste Camille Corot (1796-1875) had a long productive career and spent most of it exploring effects of light on landscape. A century earlier Claude Lorrain had pursued a similar project in the environs of Rome. Young Corot took his turn studying and painting in Italy, but established his mature working life in France. These silvery late landscapes, painted when Corot was in his sixties and seventies, became so popular with collectors, we are told, that the artist's earlier work was neglected.
Jean-Baptiste Camille Corot The Ferryman ca. 1865 Metropolitan Museum of Art, New York |
Jean-Baptiste Camille Corot The Leaning Tree Trunk ca. 1860-65 National Gallery, London |
Jean-Baptiste Camille Corot Environs of Paris 1860s Metropolitan Museum of Art, New York |
Jean-Baptiste Camille Corot The Wood Gatherer ca. 1865-70 National Gallery, London |
Jean-Baptiste Camille Corot Woman Gathering Faggots ca. 1871-74 Metropolitan Museum of Art, New York |
Jean-Baptiste Camille Corot Ville d'Avray 1870 Metropolitan Museum of Art, New York |
Jean-Baptiste Camille Corot Lane through trees 1870-73 Metropolitan Museum of Art, New York |
Jean-Baptiste Camille Corot Wagon in the Plains of Artois 1871 National Gallery, London |
Jean-Baptiste Camille Corot Marsh at Arleux 1871 National Gallery, London |
Jean-Baptiste Camille Corot The Oak in the Valley 1871 National Gallery, London |
Jean-Baptiste Camille Corot Evening on the Lake 1872 National Gallery, London |
Jean-Baptiste Camille Corot Souvenir of Coubron 1873 National Gallery, London |
Jean-Baptiste Camille Corot A Flood ca. 1870-75 National Gallery, London |
Jean-Baptiste Camille Corot The Wagon 1874 National Gallery, London |