Thursday, September 14, 2017

Early 18th-century Portraits II

George Beare
Portrait of unknown woman called Peg Woffington
ca. 1740-49
oil on canvas
Yale Center for British Art

Maskwell:  I have so contrived that Mellefont will presently in the Chaplain's habit wait for Cynthia in your Dressing-Room; but I have put the change upon her, that she may be otherwise employed  do you procure her Night-Gown and with your Hoods tied over your face meet him in her stead, you may go privately by the back Stairs, and unperceived, there you may propose to reinstate him in his Uncle's favour, if he'll comply with your desires; his Case is desperate, and I believe he'll yield to any Conditions  if not, here take this; you may employ it better.
                                                                                               Gives the dagger.

Lady Touchwood:  Thou can'st deceive every body  nay, thou hast deceived me, but 'tis as I would wish  trusty Villain! I could worship thee.

Maskwell:  No more, there want but a few Minutes of the time; and Mellefont's Love will carry him there before his hour.

Lady Touchwood:  I go, I fly, incomparable Maskwell.
                                                                                                                   Exit.

– from The Double-Dealer by William Congreve (1670-1729)

George Beare
Portrait of an elderly lady and a girl
1747
oil on canvas
Yale Center for British Art

Jean-Baptiste Perronneau
Portrait of Charles-François Pinceloup de la Grange
1747
oil on canvas
Getty Museum, Los Angeles

Jean-Baptiste Perronneau
Portrait of Magdaleine Pinceloup de la Grange, née de Parseval
1747
oil on canvas
Getty Museum, Los Angeles

Jean-Marc Nattier
Portrait of Madame Constance-Gabrielle-Magdeleine Bonnier de la Mosson as Diana 
1742
oil on canvas
Getty Museum, Los Angeles

Jean-Marc Nattier
Miniature portrait of César-François Cassini de Thury
ca. 1750
watercolor on ivory
Walters Art Museum, Baltimore

Jean-Baptiste Van Loo
Portrait of The Rt. Honourable Stephen Poyntz of Midgeham, Berkshire
1740
oil on canvas
Yale Center for British Art

Nicolas Lancret
Portrait of the actor Grandval
ca. 1742
oil on canvas
Indianapolis Museum of Art

Fra Galgario
Portrait of a Knight of the Costantinian Order
ca. 1740
oil on canvas
Museo Poldi Pezzoli, Milan

Jean-François de Troy
Before the Ball
1735
oil on canvas
Getty Museum, Los Angeles

SONG

Cynthia frowns when e're I Woo her,
Yet she's vext if I give over;
Much she fears I should undo her,
But much more, to lose her Lover:
Thus, in doubting, she refuses;
And not Winning, thus she loses.

Prithee Cynthia look behind you,
Age and Wrinckles will o'retake you;
Then too late, desire will find you,
When the power does forsake you:
Think, O think o'th' sad Condition,
To be past, yet wish Fruition.

– from The Double-Dealer by William Congreve (1670-1729)

Hyacinthe Rigaud
Portrait of Gio. Francesco II Brignole-Sale
1739
oil on canvas
Musei di Strada Nuova, Genoa

Joseph Highmore
Portrait of a lady
1734
oil on canvas
Dulwich Picture Gallery, London

Joseph Highmore
A Family Conversation-piece
ca. 1730-35
oil on canvas
Yale Center for British Art

Carl Fredrik Svan
The Stenbock family in their library at Rånäs
ca. 1740
oil on canvas
Skokloster Castle, Sweden