Saturday, September 16, 2017

Engraver Israhel van Meckenem

Israhel van Meckenem
Double portrait of Israhel van Meckenem and his wife Ida
ca. 1490
engraving
British Museum

Israhel van Meckenem (ca. 1440-1503) was a successful German artist in the early decades of the northern Renaissance. "His oeuvre of about 500 engravings makes him the most prolific engraver of the fifteenth century.  . . .  He made a decision early in his career to work as a reproductive engraver and copied work of the Master ES, [Martin] Schongauer, and [Albrecht] Dürer; he also designed lively and innovative genre scenes and ornament prints.  By 1480 he had settled in Bocholt.  Documents indicate that he owned property, had a flourishing workshop and also worked as a goldsmith.  The date of his death, 10 November 1503, is recorded in an anonymous drawing of c. 1600 in the British Museum of his tombstone, which has not survived."

The double portrait above "is apparently the first signed self-portrait and also the first surviving self-portrait executed as an engraving." Engraved text under the images reads, "Figuratio facierum Israhelis et Ide eius uxoris" with the artist's initials.

– curator's notes from the British Museum

Israhel van Meckenem
Five foxes
ca. 1465-1500
engraving
British Museum

Israhel van Meckenem
Four apes
ca. 1465-1500
engraving
British Museum

Israhel van Meckenem
Children's bath
ca. 1480-90
engraving
British Museum

Israhel van Meckenem
The organ player and his wife
ca. 1500
engraving
British Museum

Israhel van Meckenem
Woman conversing with visitor while spinning
ca. 1500
engraving
British Museum

Israhel van Meckenem
The angry wife
ca. 1500
engraving
British Museum

Israhel van Meckenem
The church goers
ca. 1500
engraving
British Museum

Israhel van Meckenem
The juggler and the woman
ca. 1500
engraving
British Museum

Israhel van Meckenem
The knight and lady
ca. 1500
engraving
British Museum

Israhel van Meckenem
Samson slaying the lion
ca. 1470-80
engraving
British Museum

Israhel van Meckenem
St Peter and St Paul with the Sudarium
ca. 1465-1500
hand-colored engraving
British Museum

Israhel van Meckenem
St Peter and St Andrew
ca. 1485
hand-colored engraving
British Museum

Israhel van Meckenem
The Lamentation
ca. 1480
engraving pasted into manuscript prayer-book on vellum
British Museum

The final image is an opening in a 15th-century vellum prayer book at the British Museum.  Manuscripts on vellum or paper remained the mainstream format for European books in 1480, even though printing with movable type had been invented a generation earlier.  This particular copy at the British Museum is wonderful and rare because the old-technology hand-written text was embellished at an early date with a new-technology machine-made illustration.