Thursday, May 31, 2018

Hand-Colored Prints (late 18th and 19th centuries)

Anonymous French printmaker
The Two are but One (Les deux ne font qu'un)
Louis XVI and Marie Antoinette as double-headed beast
ca. 1791
hand-colored etching
Metropolitan Museum of Art, New York

Thomas Rowlandson
Tis Not Antiques Alone Can Please the Eye, or, Tastes Differ
(Sir William and Lady Hamilton)
1786
hand-colored etching
Metropolitan Museum of Art, New York

Thomas Rowlandson
Admiral Nelson recreating with his Brave Tars after the glorious Battle of the Nile
1798
hand-colored etching and aquatint
Metropolitan Museum of Art, New York

from Dirge for a Dead Admiral

If, on this winter night,
O thou great admiral
That in thy sombre pall
Liest upon the land,
Thy soul should take his flight
And leave the frozen sand,
And yearn above the surge,
Think'st thou that any dirge,
Grief inarticulate
From thy bereaved mate,
Would answer to thy soul
Where the waste waters roll?

– Samuel McCoy (1913)

Thomas Rowlandson
A Couple of Antiques, or, My Aunt and My Uncle
1807
hand-colored etching
Metropolitan Museum of Art, New York

Anonymous printmaker
The Flying Philosopher
ca. 1800
hand-colored etching
Metropolitan Museum of Art, New York

James Gillray
A Phantasmagoria (political cartoon)
Scene Conjuring up an Armed Skeleton 
1803
hand-colored etching
Metropolitan Museum of Art, New York

Robert Laurie
View of the Temple of Concord erected in the Green-Park, London
celebrating the Glorious Peace of 1814 with fireworks
1814
hand-colored etching and engraving
Metropolitan Museum of Art, New York

Hieronymus Hess
Prison du Château de Chillon
ca. 1820-40
hand-colored aquatint
British Museum

William Blake
Songs of Innocence (frontispiece)
ca. 1825
hand-colored etching
Metropolitan Museum of Art, New York

Adam Friedel after Correggio
Leda bathing with Swan
before 1837
hand-colored lithograph
British Museum

Anonymous printmaker
Night View of the Colosseum, Rome
ca. 1840-50
hand-colored lithograph (transparency)
British Museum

Karl Friedrich Schinkel
Stage Design for Mozart's Magic Flute
Hall of Stars in the Palace of the Queen of the Night
1847-49
hand-colored aquatint
Metropolitan Museum of Art, New York

from Giving a Manicure

The woman across from me looks so familiar,
but when I turn, her look glances off. At the last
subway stop we rise. I know her, she gives manicures
at Vogue Nails. She has held my hands between hers
several times. She bows and smiles. There the women
wear white smocks like technicians, and plastic tags
with their Christian names. Susan. No, not Susan,
whose hair is cropped short, who is short and stocky.
This older lady does my hands while classical music,
often Mozart, plays. People passing by outside are
doubled in the wall mirror. Two of everyone walk
forward, backward, vanish at the edge of the shop.

– Minnie Bruce Pratt (2003)

Anonymous Russian printmaker
Cabin interior with family
1882
hand-colored lithograph
British Museum

Paul Gauguin
Auti te Pape (Women at the river)
1893-94
hand-colored woodcut
British Museum

– poems from the archives of Poetry (Chicago)