follower of Luca Cambiaso Apollo and Marsyas ca. 1545 drawing Minneapolis Institute of Art |
follower of Luca Cambiaso Judith with the Head of Holofernes ca. 1550-60 drawing Art Institute of Chicago |
workshop of Paolo Veronese St Jerome in the Wilderness ca. 1585-90 oil on canvas Art Institute of Chicago |
Domenico Vito after an engraving by Pierre Milan after Francesco Primaticcio's fresco at Fontainebleau Jupiter and Callisto ca. 1560-70 engraving Art Institute of Chicago |
Hans von Aachen Expulsion from Paradise late 16th century oil on alabaster Kunsthistorisches Museum, Vienna |
Update on the Last Judgment
There will be no deafening noise. No hornblow of thunder.
The small plants of the earth will not tremble on the hillside as grace is prepared.
The sky will neither drown us in its plenty, nor the ground crack and consume feet in its hunger.
No, bodies will not, in their last rags of flesh, creep from under the earth, and with breath once torn from them, choke and expel the old mud of the world.
Adam and Eve, incredulous, will not embrace again in their poverty, not knowing whether to shield themselves, or to emerge shameless from the past's shadow, astonished to again greet Terra Firma.
The book of the world, encrusted with deep-sea pearls and the blood of the lamb, will not open up its pages in which all deeds have been inscribed.
And the totality of history will not roll back together, all events fusing, once and for all, into the great blazing sphere of time.
None will sit on the right hand. There will be no right hand.
And the figure of sorrow and grace, with his staff upright, its purple pennant caught in that final wind, will not be there to greet us, with the mercy of justice in his eyes.
No, never judgment. Just the abyss into which all acts are thrown down, and the terrible white silence in which judgment either endures or burns.
– Ellen Hinsey (2002)
attributed to Giorgio Vasari Sacrifice of Cain and Abel, with God the Father above ca. 1554-55 drawing Art Institute of Chicago |
Alessandro Allori Three Anatomical Studies of a Hand late 16th century drawing Musée du Louvre |
Jerome Wierix after Martin de Vos St Michael triumphing over Satan 1584 engraving Art Institute of Chicago |
Bernardino Zenale Madonna adoring the Child, with Musical Angels ca. 1502 oil on panel Getty Museum, Los Angeles |
Federico Zuccaro Rest on the Flight into Egypt ca. 1585-88 drawing Minneapolis Institute of Art |
Federico Zuccaro Coronation of the Virgin, with the Martyrdom of St Lawrence ca. 1570 drawing Art Institute of Chicago |
Jacopo Zucchi and workshop Design for Wall Decoration ca. 1570-80 drawing Minneapolis Institute of Art |
Jacopo Zucchi Putti with Impresa of Pope Leo X ca. 1585-87 drawing Minneapolis Institute of Art |
Girolamo Savoldo The Transfiguration ca. 1535 oil on canvas Galleria degli Uffizi, Florence |