Saturday, November 9, 2019

European Sixteenth-Century Quality - V

follower of Luca Cambiaso
Apollo and Marsyas
ca. 1545
drawing
Minneapolis Institute of Art

follower of Luca Cambiaso
Judith with the Head of Holofernes
ca. 1550-60
drawing
Art Institute of Chicago

workshop of Paolo Veronese
St Jerome in the Wilderness
ca. 1585-90
oil on canvas
Art Institute of Chicago

Domenico Vito after an engraving by Pierre Milan
after Francesco Primaticcio's fresco at Fontainebleau
Jupiter and Callisto
ca. 1560-70
engraving
Art Institute of Chicago

Hans von Aachen
Expulsion from Paradise
late 16th century
oil on alabaster
Kunsthistorisches Museum, Vienna

Update on the Last Judgment

There will be no deafening noise. No hornblow of thunder.

The small plants of the earth will not tremble on the hillside as grace is prepared.

The sky will neither drown us in its plenty, nor the ground crack and consume feet in its hunger.

No, bodies will not, in their last rags of flesh, creep from under the earth, and with breath once torn from them, choke and expel the old mud of the world.

Adam and Eve, incredulous, will not embrace again in their poverty, not knowing whether to shield themselves, or to emerge shameless from the past's shadow, astonished to again greet Terra Firma.

The book of the world, encrusted with deep-sea pearls and the blood of the lamb, will not open up its pages in which all deeds have been inscribed.

And the totality of history will not roll back together, all events fusing, once and for all, into the great blazing sphere of time.

None will sit on the right hand. There will be no right hand.

And the figure of sorrow and grace, with his staff upright, its purple pennant caught in that final wind, will not be there to greet us, with the mercy of justice in his eyes.

No, never judgment. Just the abyss into which all acts are thrown down, and the terrible white silence in which judgment either endures or burns.

– Ellen Hinsey (2002)

attributed to Giorgio Vasari
Sacrifice of Cain and Abel, with God the Father above
ca. 1554-55
drawing
Art Institute of Chicago

Alessandro Allori
Three Anatomical Studies of a Hand
late 16th century
drawing
Musée du Louvre

Jerome Wierix after Martin de Vos
St Michael triumphing over Satan
1584
engraving
Art Institute of Chicago

Bernardino Zenale
Madonna adoring the Child, with Musical Angels
ca. 1502
oil on panel
Getty Museum, Los Angeles

Federico Zuccaro
Rest on the Flight into Egypt
ca. 1585-88
drawing
Minneapolis Institute of Art

Federico Zuccaro
Coronation of the Virgin, with the Martyrdom of St Lawrence
ca. 1570
drawing
Art Institute of Chicago

Jacopo Zucchi and workshop
Design for Wall Decoration
ca. 1570-80
drawing
Minneapolis Institute of Art

Jacopo Zucchi
Putti with Impresa of Pope Leo X
ca. 1585-87
drawing
Minneapolis Institute of Art

Girolamo Savoldo
The Transfiguration
ca. 1535
oil on canvas
Galleria degli Uffizi, Florence