Monday, November 18, 2019

Modernist Narratives, Encounters, Designs

Giorgio de Chirico
The Philosopher's Conquest
1913-14
oil on canvas
Art Institute of Chicago

Giorgio de Chirico
Horses
before 1947
color stencils on paper
Art Institute of Chicago

Jacques Lipchitz
Combat
ca. 1940-50
etching
Art Institute of Chicago

Jacques Lipchitz
Study
ca. 1947
drawing
Art Institute of Chicago

On the Endurance of the Flesh of the World

Miraculously, weather continued its patterns – daylight
               Entered each window on its vast singular

               Mission: clouds rose majestic on the distant
                        Horizon, carrying with them libations for

The far-flung provinces. Not all storms stayed, but some
               Storms lingered. Which is to say day had

               Not been deformed by grief's arduous trials.
                        Warmth in April was again undercut by

A cool blade of wind. Autumn's return stayed rugged,
               The russet, parched leaves curling; at nightfall

               Soot still hung in air, and the young birches
                        Amid oak, shone forth like rooted lightning.

And all knowledge was still temporary, and demanded
               Renewal. But the body, bearing as it did joy's

               Eclipse, remained skeptical listening to the news,
                        Insistently denying that seas still rushed

Impatient to the harbors of the world, and that the equator
               Remained reconciled to its miraculous girth.

               Yes, despite sorrow's gravity, twilight still
                        Lay liquid – slate-grey – in deep shadow,

And morning's return was luminous, in its own fashion.
               As reported to the ear, drizzle's voice endured

               Discreetly, rain's temper, incessant. Unseen,
                        Water rose briefly in towers against a siege

Of wind; and sand persisted – pressed its hand into all
               The crevices of the hours: for turning as it did

               In its own tight ether, the soul knew not that,
                        Even in seclusion, the elements beat true

                        Against the hard frame of the mind.

– Ellen Hinsey (The White Fire of Time, Wesleyan University Press, 2002)

Pablo Picasso
Abstraction - Background with Blue Cloudy Sky
1930
oil on panel
Art Institute of Chicago

Pablo Picasso
Minotaur and Wounded Horse
1935
drawing (ink, crayon, graphite)
Art Institute of Chicago

Pablo Picasso
The Minotaur
1933
wash drawing
Art Institute of Chicago

Pablo Picasso
Centaur Nessus abducting Dejanira
1920
drawing
Art Institute of Chicago

Henri Matisse
Daisies
1939
oil on canvas
Art Institute of Chicago

Lovis Corinth
Odysseus and Nausicaä
1918
lithograph
Art Institute of Chicago

Lovis Corinth
Flight into the Ark
1923
lithograph, with added watercolor
Art Institute of Chicago

Lovis Corinth
Freedom from the Ark
1923
lithograph, with added watercolor
Art Institute of Chicago

Saul Steinberg
Cornices
1952
drawing
Art Institute of Chicago

Raoul Dufy
Flowers, Oranges and Cherries
(fabric design for Bianchini Férier, Lyon)
ca. 1911
block-printed silk
Art Institute of Chicago