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| Eames & Young Architects Angel from Cornice Title Guarantee Building, Chicago 1898 slip-glazed terracotta Art Institute of Chicago |
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| Edward Burne-Jones Cupid's Hunting Fields 1885 gouache and watercolor on paper Art Institute of Chicago |
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| Max Klinger after Arnold Böcklin The Isle of the Dead 1890 etching and aquatint Art Institute of Chicago |
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| Max Klinger after Arnold Böcklin The Castle by the Sea 1887 etching and aquatint Art Institute of Chicago |
There came a Wind like a Bugle –
It quivered through the Grass
And a Green Chill upon the Heat
So ominous did pass
We barred the Windows and the Doors
As from an Emerald Ghost –
The Doom's Electric Moccasin
That very instant passed –
On a strange Mob of panting Trees
And Fences fled away
And Rivers where the Houses ran
Those looked that lived – that Day –
The Bell within the steeple wild
The flying tidings told –
How much can come
And much can go,
And yet abide the World!
– Emily Dickinson (1883)
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| Arnold Böcklin In the Sea 1883 oil on panel Art Institute of Chicago |
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| John Singer Sargent Portrait of Mrs Hugh Hammersley 1892 oil on canvas Metropolitan Museum of Art, New York |
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| Walter Sickert The Acting Manager (Helen Lenoir at the Savoy Theatre) 1884 etching Art Institute of Chicago |
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| Walter Sickert Gatti’s Hungerford Palace of Varieties, Second Turn of Katie Lawrence ca. 1888 oil on canvas Yale University Art Gallery |
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| Jean-Louis Forain Tight-Rope Walker ca. 1885 oil on canvas Art Institute of Chicago |
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| Rosa Bonheur Cattle at Rest on a Hillside in the Alps 1885 oil on canvas Art Institute of Chicago |
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| Camille Pissarro Woman bathing her feet in a brook 1894-95 oil on canvas Art Institute of Chicago |
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| Camille Pissarro Bather in the woods 1895 oil on canvas Metropolitan Museum of Art, New York |
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| Elihu Vedder The Fates gathering in the Stars 1887 oil on canvas Art Institute of Chicago |
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| Abbott Handerson Thayer Winged Figure 1889 oil on canvas Art Institute of Chicago |