Showing posts with label Beaux-Arts. Show all posts
Showing posts with label Beaux-Arts. Show all posts

Sunday, August 8, 2021

American Paintings (Robert Henri)

Robert Henri
Helen
1919
oil on canvas
Indianapolis Museum of Art

Robert Henri
Gertrude Vanderbilt Whitney
1916
oil on canvas
Whitney Museum of American Art, New York

Robert Henri
West Coast of Ireland
1913
oil on canvas
Everson Museum of Art, Syracuse, New York

Robert Henri
The Masquerade Dress
1911
oil on canvas
Metropolitan Museum of Art, New York

Robert Henri
Portrait of the painter George Bellows
1911
oil on canvas
National Academy of Design, New York

Robert Henri
Lady in Black with Spanish Scarf
1910
oil on canvas
M.H. De Young Memorial Museum, San Francisco

Robert Henri
Portrait of Carl Sprinchorn
1910
oil on canvas
Johnson Museum, Cornell University, Ithaca, New York

Robert Henri
La Madrileñita
1910
oil on canvas
Art Institute of Chicago

Robert Henri
Young Woman in White
1904
oil on canvas
National Gallery of Art, Washington DC

Robert Henri
Cumulus Clouds, East River
ca. 1902-1903
oil on canvas
Smithsonian American Art Museum, Washington DC

Robert Henri
Snow in New York
1902
oil on canvas
National Gallery of Art, Washington DC

Robert Henri
Night on Boardwalk
1898
oil on panel
Museum of Fine Arts, Houston

Robert Henri
In the Garden of the Luxembourg
1898
oil on panel
private collection

Robert Henri
Café by Night with Japanese Lanterns
ca. 1895-99
oil on panel
Museum of Fine Arts, Boston

Robert Henri
Café Bleu, St Cloud
ca. 1895-99
oil on panel
Museum of Fine Arts, Boston

Impressionists

These paintings Paris laughed down
A hundred years ago
Have finally attained their salon.

In a house of sheer window
Stitched to a cliff's edge
In crystalline vertigo,

Street scenes from the age 
Of the Grand Passion for Light
Hang to great advantage.

In silver frames over white
Wicker, off-white leather
And books of Monet and Cassatt,

Old plazas of rainy weather –
Soft underlit faces
Of shoppers sheltered together

And spaced by the rhythmic oases
Of black umbrellas – provide
Just the right resting places

For folks back from the wide
World that deepens a tan,
Companionably inside

In the quietly dancing sheen
Of sunlight swept to the eaves
By spangled Lake Michigan,

A dappled family runny
With leaves and blinding waves
Of water, light and money. 

– Bruce Berger (1988)

Thursday, November 21, 2019

1880s - 1890s (Sculpture, Paintings, Prints)

Eames & Young Architects
Angel from Cornice
Title Guarantee Building, Chicago

1898
slip-glazed terracotta
Art Institute of Chicago

Edward Burne-Jones
Cupid's Hunting Fields
1885
gouache and watercolor on paper
Art Institute of Chicago

Max Klinger after Arnold Böcklin
The Isle of the Dead
1890
etching and aquatint
Art Institute of Chicago

Max Klinger after Arnold Böcklin
The Castle by the Sea
1887
etching and aquatint
Art Institute of Chicago

There came a Wind like a Bugle –
It quivered through the Grass
And a Green Chill upon the Heat
So ominous did pass
We barred the Windows and the Doors
As from an Emerald Ghost –
The Doom's Electric Moccasin
That very instant passed –
On a strange Mob of panting Trees
And Fences fled away
And Rivers where the Houses ran
Those looked that lived – that Day –
The Bell within the steeple wild
The flying tidings told –
How much can come
And much can go,
And yet abide the World!

– Emily Dickinson (1883)

Arnold Böcklin
In the Sea
1883
oil on panel
Art Institute of Chicago

John Singer Sargent
Portrait of Mrs Hugh Hammersley
1892
oil on canvas
Metropolitan Museum of Art, New York

Walter Sickert
The Acting Manager (Helen Lenoir at the Savoy Theatre)
1884
etching
Art Institute of Chicago

Walter Sickert
Gatti’s Hungerford Palace of Varieties, Second Turn of Katie Lawrence
ca. 1888
oil on canvas
Yale University Art Gallery

Jean-Louis Forain
Tight-Rope Walker
ca. 1885
oil on canvas
Art Institute of Chicago

Rosa Bonheur
Cattle at Rest on a Hillside in the Alps
1885
oil on canvas
Art Institute of Chicago

Camille Pissarro
Woman bathing her feet in a brook
1894-95
oil on canvas
Art Institute of Chicago

Camille Pissarro
Bather in the woods
1895
oil on canvas
Metropolitan Museum of Art, New York

Elihu Vedder
The Fates gathering in the Stars
1887
oil on canvas
Art Institute of Chicago
 
Abbott Handerson Thayer
Winged Figure
1889
oil on canvas
Art Institute of Chicago

Friday, November 15, 2019

John Singer Sargent at the Art Institute of Chicago

John Singer Sargent
The Fountain, Villa Torlonia, Frascati
1907
oil on canvas
Art Institute of Chicago

John Singer Sargent
Portrait of Madame Paul Escudier (Louise Lefevre)
1882
oil on canvas
Art Institute of Chicago

John Singer Sargent
Vizcaya - The Terrace
1917
watercolor
private collection
(on loan to the Art Institute of Chicago)

John Singer Sargent
Vizcaya - The Patio
1917
watercolor
private collection
(on loan to the Art Institute of Chicago)

John Singer Sargent
Vizcaya - The Loggia
1917
watercolor
private collection
(on loan to the Art Institute of Chicago)

John Singer Sargent
Portrait of Mrs Charles Deering (Marion Denison Whipple)
1888
oil on canvas
Art Institute of Chicago

from On the Origins of Consciousness

        Buried in the depths of that great forest called childhood, under a constellation of leaves whose stars cast shadows down from their heaven – there, on a day in late summer, emerging from that wood, one came upon – startled – the fragile I, loitering unawares: stumbled upon like a benevolent stranger who stared back dumbfounded –
        In that green, limpid silence, the self the self regarded – in that moment of new knowledge, and suddenly aware, the I itself scrutinized: stomach, knees, teeth, knuckles, hair – a devout inventory was made. There among the burgeoning branches, all distinct features and flaws were duly laid out that day, for careful inspection, and all impressions imprinted on the waiting clay of the mind.

– Ellen Hinsey (The White Fire of Time, Wesleyan University Press, 2002)

John Singer Sargent
Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver
ca. 1879
oil on canvas
Art Institute of Chicago

John Singer Sargent
Portrait of Mrs Charles Gifford Dyer (Mary Anthony)
1880
oil on canvas
Art Institute of Chicago

John Singer Sargent
Fountain of Neptune, Piazza della Signoria, Florence
1902
oil on board
private collection
(on loan to the Art Institute of Chicago)

John Singer Sargent
Workmen at Carrara
1911
watercolor
Art Institute of Chicago

John Singer Sargent
An Artist at his Easel
1914
watercolor
Art Institute of Chicago

John Singer Sargent
Figure Study
(Mural Project for the Museum of Fine Arts, Boston)
ca. 1917-21
drawing
Art Institute of Chicago

John Singer Sargent
Figure Study
(Mural Project for the Museum of Fine Arts, Boston)
ca. 1917-21
drawing
Art Institute of Chicago

John Singer Sargent
Figure Studies
(Mural Project for the Museum of Fine Arts, Boston)
ca. 1917-21
drawing
Art Institute of Chicago

Monday, August 12, 2019

Puvis de Chavannes (1824-1898) - Decorative Symbolist

Pierre Puvis de Chavannes
Woman on the Seashore
1887
oil on paper, mounted on canvas
Hermitage, Saint Petersburg

Pierre Puvis de Chavannes
Women on the Seashore
1879
oil on canvas
Musée d'Orsay, Paris

Pierre Puvis de Chavannes
Summer
1891
oil on canvas
Cleveland Museum of Art (Ohio)

Pierre Puvis de Chavannes
Seated Female Figure
1889
pastel
Minneapolis Institute of Art

Pierre Puvis de Chavannes
Girl by the Sea
ca. 1882
oil on canvas
Neue Pinakothek, Munich

"But what struck me most forcibly was how little, during this visit, I lived over again my childish years, how little I desired to see Combray, how meagre and ugly I thought the Vivonne. But where Gilberte made some of the things come true that I had imagined about the Méséglise way was during one of those walks which, after all, were nocturnal even if we took them before dinner  for she dined so late. Before descending into the mystery of a perfect and profound valley carpeted with moonlight, we stopped for a moment, like two insects about to plunge into the blue calyx of a flower."

– Marcel Proust, from Albertine Disparue (1925), translated by C.K. Scott Moncrieff as The Sweet Cheat Gone (1930)

"But what struck me the most was how little, during this stay, I relived my former years, how little I wanted to revisit Combray, and how narrow and ugly I found the Vivonne. Yet it was during one of those quasi-nocturnal albeit pre-prandial walks  since she dined so late! that she did authenticate for me the fantasies which I had formed around the way to Méséglise. Just as we were about to enter a mysteriously smooth and deep valley bathed in moonlight, we stopped for a moment, like two insects about to dive into the depths of a blue-tinted calyx." 

– Marcel Proust, from Albertine Disparue (1925), translated by Peter Collier as The Fugitive (2002)

Pierre Puvis de Chavannes
Standing Male Nude
ca. 1879
drawing
National Gallery of Art, Washington DC

Pierre Puvis de Chavannes
Marseilles - Greek Colony
ca. 1868-69
oil on canvas
Phillips Collection, Washington DC

Pierre Puvis de Chavannes
Marseilles - Gateway to the Orient
ca. 1868-69
oil on canvas
Phillips Collection, Washington DC

Pierre Puvis de Chavannes
Saint Genevieve as a Child at Prayer
1879
oil on canvas
Harvard Art Museums

Pierre Puvis de Chavannes
War
1867
oil on canvas
Philadelphia Museum of Art

Pierre Puvis de Chavannes
The Aftermath of War
ca. 1870-75
watercolor
Morgan Library, New York

Pierre Puvis de Chavannes
Tamaris
ca. 1886-87
 oil on canvas
Metropolitan Museum of Art, New York

Pierre Puvis de Chavannes
Self-portrait
1887
oil on canvas
Galleria degli Uffizi, Florence

Ethel Reed
Pierre Puvis de Chavannes - A Sketch by Lily Lewis Rood
1895
lithographic poster
Fine Arts Museums of San Francisco
(Achenbach Foundation)