-attributed-Portrait-of-a-Youth-c1505-1520-drawing-(former-Arundel-as-Leonardo-etched-by-Hollar)-British-Museum.jpg) |
| attributed to Garofalo (Benvenuto Tisi) Youth with Cap ca. 1505-1520 drawing (formerly in the Arundel Collection incorrectly attributed to Leonardo da Vinci) British Museum |
-Youth-with-Cap-1646-etching-(after-Arundel-drawing-now-BM)-Herzog-Anton-Ulrich-Museum-Braunschweig.jpg) |
| Wenceslaus Hollar after Garofalo Youth with Cap 1646 etching (copied while owned by Lord Arundel) Herzog Anton Ulrich Museum, Braunschweig |
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| Peter Aubry after Anthony van Dyck Thomas Howard, Earl of Arundel 1644 engraving (book illustration) Herzog August Bibliothek, Wolfenbüttel |
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| Anonymous British Printmaker Thomas Howard, Earl of Arundel 18th century engraving National Portrait Gallery, London |
-Studies-for-Eve-for-fresco-in-Parma-c1523-drawing-(former-Arundel-etched-in-pieces-by-Lanier)-Metopolitan-Museum-of-Art-New-York.jpg) |
| Parmigianino (Francesco Mazzola) Studies for Eve ca. 1523 drawing (formerly in the Arundel Collection) Metropolitan Museum of Art, New York |
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| Anonymous Copyist after Parmigianino Study for Eve ca. 1635-50 drawing Royal Collection, Windsor |
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| Nicholas Lanier after Parmigianino Study for Eve 1656 etching British Museum |
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| Anonymous Copyist after Parmigianino Study for Eve ca. 1635-50 drawing Royal Collection, Windsor |
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| Nicholas Lanier after Parmigianino Study for Eve 1656 etching British Museum |
-Studies-for-Moses-with-Tablets-of-the-Law-for-fresco-in-Parma-c1523-drawing-(former-Arundel-etched-in-pieces-by-Vorsterman-and-Lanier)-Metopolitan-Museum-of-Art-New-York.jpg) |
| Parmigianino (Francesco Mazzola) Studies for Moses with the Tablets of the Law ca. 1523 drawing (formerly in the Arundel Collection) Metropolitan Museum of Art, New York |
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| Anonymous Copyist after Parmigianino Study for Moses ca. 1635-50 drawing Royal Collection, Windsor |
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| Lucas Vorsterman the Younger after Parmigianino Study for Moses ca. 1640-50 etching British Museum |
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| Arundel Society Virgin and Child with an Angel (after painting by Fra Filippo Lippi in the Uffizi) 1877 chromolithograph Victoria & Albert Museum, London |
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| Arundel Society Adoration of the Mystic Lamb (after central panel of the Ghent Altarpiece by Jan van Eyck) 1868 chromolithograph Wellcome Collection, London |
London's 19th-century Arundel Society, named for the great 17th-century collector, was "an organization founded in 1848 by Prince Albert, John Ruskin and others that was dedicated to the reproduction of paintings by Giotto and other artists for the education and improvement of public taste in art." The emphasis, in keeping with wider current thinking, was on providing instruction rather than enjoyment. The prospectus issued in 1849 stated that "in their execution, that manner will be preferred which most truthfully expresses the original, rather than that which presents the greatest attraction to the eye." By the time of the Society's closure in 1897 over two hundred chromolithographs had been circulated.
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| Charles William Sherborn Design for a Bookplate for the Burlington Arts Club (Rembrandt and the Earl of Arundel) 1893 drawing, with added gouache British Museum |
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| Charles William Sherborn Bookplate for the Burlington Arts Club (Rembrandt and the Earl of Arundel) 1893 engraving British Museum |
Arundel's memory was likewise kept green in 19th-century London by the Burlington Arts Club. There, a bookplate was commissioned depicting two – and only two – institutional mascots: Rembrandt van Rijn and Thomas Howard, Earl of Arundel.