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| Michele Giambono Bishop Saint ca. 1425-50 tempera and oil on panel Isabella Stewart Gardner Museum, Boston |
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| Francesco Francia (Francesco Raibolini) Portrait of Evangelista Scappi ca. 1505 oil on panel Gallerie degli Uffizi, Florence |
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| Maarten van Heemskerck Portrait of a Woman spinning ca. 1531 oil on panel Museo Thyssen-Bornemisza, Madrid |
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| Giampietrino (Giovanni Pietro Rizzoli) The Magdalen in Prayer before 1540 oil on panel Pinacoteca di Brera, Milan |
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| Hendrik Goltzius Ill-Matched Couple 1615 oil on canvas Metropolitan Museum of Art, New York |
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| Pier Leone Ghezzi Portrait of sculptor Edme Bouchardon ca. 1732 oil on canvas Gallerie degli Uffizi, Florence |
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| Vincenzo Giacomelli Diomedes stealing the Palladium 1839 oil on canvas Gallerie dell'Accademia, Venice |
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| James Guthrie A Gallant of the Terror 1880 oil on canvas Scottish National Gallery, Edinburgh |
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| Sarah Cecilia Harrison Self Portrait 1889 oil on canvas Hugh Lane Gallery, Dublin |
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| Joseph J. Gould The Illustrator 1900 ink and watercolor on board (print study for Charles Scribner's Sons) Cooper Hewitt, Smithsonian Design Museum |
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| Joseph J. Gould The Printer 1900 ink and watercolor on board (print study for Charles Scribner's Sons) Cooper Hewitt, Smithsonian Design Museum |
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| Hugo Gellert Modern Science for All (from portfolio, Century of the Common Man) 1943 screenprint and lithograph Whitney Museum of American Art, New York |
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| Richard Diebenkorn Coffee 1959 oil on canvas San Francisco Museum of Modern Art |
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| Dave Heath New York City 1962 gelatin silver print National Gallery of Art, Washington DC |
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| Kenneth Graves Business Office, State College, Pennsylvania 1978 gelatin silver print San Francisco Museum of Modern Art |
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| John Harding San Francisco, California - Grant Avenue 1989 inkjet print San Francisco Museum of Modern Art |
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| Victoria Gewirz Lucky Stripe ca. 1998 platinum-palladium print National Gallery of Art, Washington DC |
from The Entertainment of the High and Mighty Monarch, Prince Charles, King of Great Britain, France and Ireland, into his ancient and Royal City of Edinburgh, the 15 of June 1633
[The King is greeted by various tableaux on his way into the city, and is addressed by Caledonia, the Muses, a selection of classical deities, and the sun and moon.]
JOVE: Delight of heaven, sole honour of the earth,
Jove (courting thine ascendant) at thy birth
Proclaimed thee a King, and made it true,
That Emperies should to thy worth be due . . .
– William Drummond of Hawthornden (1623)

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