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| George Sanders Mary Elizabeth Egerton, Lady Sykes (dressed in so-called Van Dyck costume) ca. 1810 oil on canvas National Trust, Tatton Park, Cheshire |
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| Jean-Auguste-Dominique Ingres Portrait of Monsieur de Norvins 1811-12 oil on canvas National Gallery, London |
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| William Hilton Christ restoring Sight to the Blind 1812 oil on canvas Walker Art Gallery, Liverpool |
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| Anne-Louis Girodet Portrait of Napoleon in Coronation Robes ca. 1812 oil on canvas Bowes Museum, Barnard Castle, County Durham |
"Napoleon poses triumphantly as Emperor of France. He extends a hand over the Civil Code, the orb and the hand of justice that rest on the table. He wears the grand collar of the Legion of Honour and holds a sceptre surmounted by the Imperial eagle. Gold bees, associated with the ancient kings of France, decorate his mantle, adding legitimacy to his rule. In 1812 Girodet was commissioned to paint 36 identical portraits of the Emperor. When Napoleon abdicated [two years later], 26 had been completed, and they remained in Girodet's studio until after the artist's death."
– from curator's notes at the Bowes Museum
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| Étienne-Jean Delécluze Emperor Augustus rebuking Cornelius Cinna for his Treachery (scene from Corneille's Cinna) 1814 oil on canvas Bowes Museum, Barnard Castle, County Durham |
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| Richard Westall The Honourable Mrs. Abbot Upcher née Charlotte Wilson 1814 oil on canvas National Trust, Sheringham Park, Norfolk |
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| Henry Raeburn Portrait of Mrs William Urquhart 1814-15 oil on canvas Kelvingrove Art Gallery and Museum, Glasgow |
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| Thomas Lawrence Arthur Wellesley, 1st Duke of Wellington ca. 1815-16 oil on canvas Wellington Collection, Apsley House, London |
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| Jacques-Louis David Portrait of the Comtesse Vilain and her Daughter 1816 oil on canvas National Gallery, London |
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| Peter von Cornelius Joseph reveals himself to his Brothers ca. 1816-17 fresco Alte Nationalgalerie, Berlin |
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| Jacques-Antoine Vallin Madame Bigottini (ballet dancer) as a Bacchante 1817 oil on canvas Bowes Museum, Barnard Castle, County Durham |
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| Samuel Woodforde Scene from Shakespeare's Titus Andronicus ca. 1817 oil on canvas Royal Shakespeare Theatre, Stratford-upon-Avon |
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| Jozef Geirnaert Phaedra and Hippolytus 1819 oil on canvas Bowes Museum, Barnard Castle, County Durham |
"Phaedra, the daughter of Minos, a king of Crete, married Theseus, a king of Athens. The goddess Venus maliciously imbued Phaedra with an unconquerable passion for her stepson, Hippolytus. Under this spell, Phaedra attempted to seduce Hippolytus, and on failing to do so, accused him before Theseus of attempts on her virtue. Hippolytus fled from Athens and was killed when his chariot overturned. On hearing of this tragedy, Phaedra confessed the truth and hanged herself out of shame."
– from curator's notes at the Bowes Museum
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| James Northcote Edmund Kean as Brutus 1819 oil on canvas National Portrait Gallery, London |
"The actor Edmund Kean was engaged by the Drury Lane Theatre for three years in 1814, making a triumphant first appearance as Shylock; he was unrivalled in tragic parts, most notably Richard III. Kean is seen here in the title role of Howard Payne's Brutus (1818) which he performed to considerable success. Northcote has chosen to depict the final scene when Brutus speaks with his son Titus whom he has condemned to execution. It was painted for Kean's close friend, S.W. Reynolds, who engraved and published a mezzotint of the picture."
– from curator's notes at the National Portrait Gallery
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| John Downman A Late Princess personifying Peace crowning the Glory of England reflected on Europe 1819 oil on canvas National Museum Cardiff, Wales |