 |
| Jan Philip van Thielen Garland of Flowers before 1667 oil on panel private collection |
 |
| Jan Philip van Thielen Flowers in a Glass Vase ca. 1650-60 oil on panel National Gallery of Art, Washington DC |
 |
| Jan Philip van Thielen Garland surrounding Cartouche with a Bust of Flora 1665 oil on canvas Rijksmuseum, Amsterdam |
 |
| Jan Philip van Thielen Vase of Flowers 1660 oil on panel Fitzwilliam Museum, Cambridge |
 |
| Jan Philip van Thielen Garland surrounding Portrait of a Girl ca. 1645 oil on canvas National Museum, Lublin, Poland |
 |
| Jan Philip van Thielen Garland surrounding Vignette with Venus and Adonis 1653 oil on canvas private collection |
 |
| Jan Philip van Thielen Garland surrounding Vignette with Venus and Cupid 1648 oil on canvas private collection |
 |
| Jan Philip van Thielen Vase of Flowers with Butterflies ca. 1645 oil on panel Honolulu Museum of Art |
 |
| Jan Philip van Thielen and Erasmus Quellinus the Younger Garland surrounding Cartouche with the Virgin and Child 1648 oil on canvas Kunsthistorisches Museum, Vienna |
 |
| Jan Philip van Thielen and Erasmus Quellinus the Younger Garland surrounding Cartouche with the Virgin and Child 1651 oil on copper Chrysler Museum of Art, Norfolk, Virginia |
 |
| Jan Philip van Thielen Flowers in a Glass Vase before 1667 oil on panel Musée Magnin, Dijon |
 |
| Jan Philip van Thielen Flowers in a Glass Vase ca. 1650-60 oil on panel private collection |
 |
| attributed to Jan Philip van Thielen Vase of Flowers before 1667 oil on panel Fitzwilliam Museum, Cambridge |
 |
| follower of Jan Philip van Thielen Still Life with Flowers and Watch ca. 1660 oil on panel Ashmolean Museum, Oxford |
"The son of the nobleman Librecht van Thielen, Lord of Couwenberg, and Anna Rigouldts, Jan Philip van Thielen was baptized in the Church of San Rombaut in Mechelen on 1 April 1618. . . . In 1631/32 the register of the Antwerp Saint Luke's Guild describes Van Thielen as a pupil of his future brother-in-law, the history painter Theodoor Rombouts. Van Thielen's career as a flower painter seems to have begun when Daniel Seghers accepted him as a student, which must have occurred shortly before he [Van Thielen] became a master in Saint Luke's Guild in 1641/42. Van Thielen's depictions of bouquets, garlands, and festoons consistently resemble those of Seghers. Also like Seghers, the younger artist regularly collaborated with other Antwerp painters, typically creating garlands to surround their vignettes or cartouches."
– from the biographical sketch at the National Gallery of Art, Washington DC