Anonymous Copyist Portrait of Romeyn de Hooghe ca. 1730-50 watercolor (copy of engraving) Rijksmuseum, Amsterdam |
Romeyn de Hooghe after Jacob Peeters Battle of Imperial Troops against the Turks to raise the Siege of Vienna in 1683 1690 hand-colored engraving Royal Library, The Hague |
Romeyn de Hooghe Reception of the Prince and Princess of Orange as King and Queen of Great Britain in 1688 ca. 1690 hand-colored engraving Royal Library, The Hague |
Romeyn de Hooghe Battle of Saint-Denis, 1678 at the conclusion of the Franco-Dutch War 1678 hand-colored engraving Rijksmuseum, Amsterdam |
Romeyn de Hooghe Castle of Breukelen destroyed by the French in 1672 1672 etching Rijksmuseum, Amsterdam |
Romeyn de Hooghe Truth, Mercury and Time observing the painting of War in the Dutch Garden 1674 etching (allegorical title-page) Rijksmuseum, Amsterdam |
Romeyn de Hooghe Louis XIV as Devouring Lion 1672 etching (political caricature) Rijksmuseum, Amsterdam |
Romeyn de Hooghe Johan and Cornelis de Witt as a Fox and a Wolf 1672 etching (political caricature) Rijksmuseum, Amsterdam |
Romeyn de Hooghe Mercury 1688-89 etching Rijksmuseum, Amsterdam |
Romeyn de Hooghe Egyptian Obelisk with Hieroglyphics 1693 etching and engraving (book illustration) Getty Research Institute, Los Angeles |
Romeyn de Hooghe Defeated Turks in Chains (from a series glorifying the deeds of the Order of Teutonic Knights) 1700 etching Rijksmuseum, Amsterdam |
Romeyn de Hooghe Fashion Plate (from the series Figures à la Mode) ca. 1670-85 etching and engraving Rijksmuseum, Amsterdam |
Romeyn de Hooghe Fashion Plate (from the series Figures à la Mode) ca. 1670-85 etching and engraving Rijksmuseum, Amsterdam |
Romeyn de Hooghe Carte Nouvelle de la Mer Mediterranée 1694 hand-colored engraving private collection |
"Romeyn de Hooghe (1645-1708) produced a world of art in many forms, including paintings, sculpture, medallic art, and temporary decorations for royal events. Above all, however, De Hooghe is known for his etchings, and he completed a staggering four thousand-plus plates in his lifetime. Active at a time when the small – but wealthy and powerful – Dutch Republic was engaged in a host of interactions, warlike and otherwise, with its European neighbors and far-flung colonial interests, De Hooghe offers a fascinating picture of the later Dutch Golden Age in all its complexity. . . . From his etching needle spring complex allegories praising or lampooning powerful figures of the day like William III of Orange and Louis XIV, city maps and sea charts, accounts of battles and natural disasters both at home and abroad, rendered in compelling style. . . . But along with his flair for the dramatic, De Hooghe also brought erudition and intellectual subtlety to his many book illustrations (the largest single group of prints he created) and an admirable visual ability to distill the subject matter of a varied slate of texts."
– from promotional text for a De Hooghe exhibition at the Johnson Museum of Art, Cornell University (2009)