Wednesday, December 15, 2021

Nineteenth-Century German Paintings (Neoclassical)

August Ahlborn after Karl Friedrich Schinkel
View of the Flowering of Greece
(Ahlborn's copy of lost Schinkel original)
1836
oil on canvas
Alte Nationalgalerie, Berlin

August Ahlborn after Karl Friedrich Schinkel
View of the Flowering of Greece (detail)
(Ahlborn's copy of lost Schinkel original)
1836
oil on canvas
Alte Nationalgalerie, Berlin

August Ahlborn after Karl Friedrich Schinkel
View of the Flowering of Greece (detail)
(Ahlborn's copy of lost Schinkel original)
1836
oil on canvas
Alte Nationalgalerie, Berlin

Karl Friedrich Schinkel
Greek Landscape Fantasy with Shepherds among Ruins
1823
oil on canvas
Alte Nationalgalerie, Berlin

Karl Friedrich Schinkel
Greek Landscape Fantasy with Shepherds among Ruins (detail)
1823
oil on canvas
Alte Nationalgalerie, Berlin

Eduard Daege
Invention of Drawing
(fable retold by Pliny the Elder)
1832
oil on canvas
Alte Nationalgalerie, Berlin

Hans Thoma
Hercules saving Trojan Princess Hesione
from Sea Monster

1890
oil on canvas
Musée d'Orsay, Paris

Hans Thoma
Archery
1887
oil on canvas
Alte Nationalgalerie, Berlin

Max Klinger
Tritons and Naiads
ca. 1884-85
oil on panel
(study for fresco)
Alte Nationalgalerie, Berlin

Max Klinger
Tritons and Naiads (detail)
ca. 1884-85
oil on panel
(study for fresco)
Alte Nationalgalerie, Berlin

Max Klinger
Venus in Shell Chariot
ca. 1884-85
oil on panel
(study for fresco)
Alte Nationalgalerie, Berlin

Max Klinger
Venus in Shell Chariot (detail)
ca. 1884-85
oil on panel
(study for fresco)
Alte Nationalgalerie, Berlin

Franz Ludwig Catel
Inside the Colosseum, Rome
ca. 1823
oil on canvas
Art Institute of Chicago

Karl Gussow
Studio Scene - Washing Venus
1878
oil on canvas
Musée des Beaux-Arts, Tournai

Eberhard Wächter
Return of Telemachus
ca. 1800-1808
oil on canvas
Alte Nationalgalerie, Berlin

from Flowers, Always

Inexplicable, the sign outside a deli scrawled
with FLOWERS
                                  and below that: ALWAYS.
But there were no flowers. And I have never
seen an Always. I would like to,
                                                 and I have looked.
I have kept my eye keen
                                           for Always, have liked
its idea like an expensive purse, coveting it as
it appears,
             riding the arms of rich ladies who are
so very lady.                       I've rolled on velvet
             cushions where I heard Always slept,
and I once tried to kiss Always,
                    but I don't think it was the Always
I was looking for. 

– Cate Marvin (2007)