Tuesday, November 15, 2022

Pierre Bonnard - Symbolical Color, Poignant Introspection

Pierre Bonnard
Woman Undressing
ca. 1900
oil on canvas
Musée de la Chartreuse, Douai

Pierre Bonnard
La Maison de Misia
ca. 1903
oil on canvas
Musée d'Orsay, Paris

Pierre Bonnard
Portrait of Ambroise Vollard
ca. 1904
oil on canvas
Musée d'Orsay, Paris

Pierre Bonnard
Winter Day - Woman in an Interior
ca. 1905
oil on canvas
Musée d'Orsay, Paris

Pierre Bonnard
La Loge
1908
oil on canvas
Musée d'Orsay, Paris

Pierre Bonnard
La Toilette
ca. 1914-21
oil on canvas
Musée d'Orsay, Paris

Pierre Bonnard
Portrait of Madame Émile Bernheim
ca. 1916
oil on canvas
Musée d'Orsay, Paris

Pierre Bonnard
Nude before a Fireplace
1919
oil on canvas
Musée d'Orsay, Paris

Pierre Bonnard
Portrait of the Bernheim de Villers brothers
1920
oil on canvas
Musée d'Orsay, Paris

Pierre Bonnard
The Beach - Low Tide
ca. 1920
oil on canvas
Musée d'Orsay, Paris

Pierre Bonnard
Banks of the Seine
before 1922
oil on cardboard
Musée d'Orsay, Paris

Pierre Bonnard
Reine Natanson and Marthe Bonnard
1928
oil on canvas
Musée d'Orsay, Paris

Pierre Bonnard
Dining Room at Le Cannet
ca. 1932
oil on canvas
Musée d'Orsay, Paris

Pierre Bonnard
Corner of the Dining Room at Le Cannet
ca. 1932
oil on canvas
Musée d'Orsay, Paris

Pierre Bonnard
Corner of a Table
ca. 1935
oil on canvas
Musée d'Orsay, Paris

"Bonnard had one-man shows in Paris from 1904 on and was included in many shows of French art put on outside France.  In 1924 there was a large retrospective exhibition in Paris.  In 1928 he had a one-man show in New York, and from that time on his work was known and admired on both sides of the Atlantic.  There were major memorial exhibitions in 1947-48.  By this time he had fallen out of art world favour: his subjects and resplendent colours seemed luxurious to the post-war world.  Matisse defended his friend's work and Bonnard is now recognized as a great colourist and a constructor of subtle compositions in which meaning is delivered through apparently transparent, ordinary subjects."

– Erika Langmuir and Norbert Lynton, Yale Dictionary of Art and Artists (2000)