Wednesday, November 16, 2022

Sixteenth-Century Study Drawings after Michelangelo

Alessandro Allori after Michelangelo
Demon
(from Last Judgment fresco, Sistine Chapel)
ca. 1559
drawing
Musée du Louvre

Alessandro Allori after Michelangelo
Risen Soul
(from Last Judgment fresco, Sistine Chapel)
ca. 1559
drawing
Musée du Louvre

Alessandro Allori after Michelangelo
Risen Soul ascending to Heaven
(from Last Judgment fresco, Sistine Chapel)
ca. 1559
drawing
Musée du Louvre

Federico Zuccaro after Michelangelo
Demon carrying Damned Soul
(from Last Judgment fresco, Sistine Chapel)
ca. 1565
drawing
Musée du Louvre

Baccio Bandinelli after Michelangelo
Head of a Young Man
ca. 1520-25
drawing
Musée du Louvre

Baccio Bandinelli after Michelangelo
Figure Study
ca. 1520-25
drawing
Musée du Louvre

Baccio Bandinelli after Michelangelo
Study after the David
ca. 1530
drawing
Musée du Louvre

Giulio Clovio after Michelangelo
Design for Colossal Statue of Hercules
ca. 1545-65
drawing
Musée du Louvre

Giulio Clovio after Michelangelo
Abduction of Ganymede
ca. 1545-65
drawing
(after lost Michelangelo drawing)
Musée du Louvre

Anonymous Artist after Giulio Clovio after Michelangelo
Abduction of Ganymede
16th century
drawing
(anonymous copy of Clovio's copy)
Musée du Louvre

attributed to Pontormo after Michelangelo
Crouching Youth
before 1557
drawing
Musée du Louvre

attributed to Pontormo after Michelangelo
Seated Youth
before 1557
drawing
Musée du Louvre

Biagio Pupini after Michelangelo
Adam and Eve
(from Sistine Ceiling fresco)
before 1575
drawing
Musée du Louvre
 
attributed to Daniele da Volterra after Michelangelo
Ignudo
(from Sistine Ceiling fresco)
before 1566
drawing
Musée du Louvre

attributed to Daniele da Volterra after Michelangelo
Ignudo
(from Sistine Ceiling fresco)
before 1566
drawing
Musée du Louvre

No Second Troy

Why should I blame her that she filled my days
With misery, or that she would of late
Have taught to ignorant men most violent ways,
Or hurled the little streets upon the great,
Had they but courage equal to desire?
What could have made her peaceful with a mind
That nobleness made simple as a fire,
With beauty like a tightened bow, a kind
That is not natural in an age like this,
Being high and solitary and most stern?
Why, what could she have done, being what she is?
Was there another Troy for her to burn?

– W.B. Yeats (1910)