Monday, December 5, 2022

Zuccaro Brothers - Frescoes and Fresco Studies

Taddeo and Federico Zuccaro
Charlemagne confirms the Donation of Ravenna to the Church
1564-65
fresco
Sala Reggia, Palazzo Apostolico, Vatican

Taddeo Zuccaro
Charlemagne confirms the Donation
of Ravenna to the Church
(detail)
ca. 1564
drawing
(study for fresco)
Musée du Louvre

Taddeo and Federico Zuccaro
Charlemagne confirms the Donation
of Ravenna to the Church
 (detail)
1564-65
fresco
Sala Reggia, Palazzo Apostolico, Vatican

Taddeo Zuccaro
Charlemagne confirms the Donation of Ravenna to the Church
ca. 1564
drawing
(study for fresco)
Royal Collection, Windsor

Taddeo and Federico Zuccaro
Charlemagne confirms the Donation
of Ravenna to the Church
 (detail)
1564-65
fresco
Sala Reggia, Palazzo Apostolico, Vatican

Taddeo Zuccaro
Europa and the Bull
ca. 1560-65
drawing
(study for fresco, Palazzo Farnese, Caprarola)
Musée du Louvre

Taddeo Zuccaro
Adoration of the Shepherds
ca. 1556
drawing
(study for fresco, Chiesa di Santa Maria della Consolazione, Rome)
Musée du Louvre

Taddeo Zuccaro
Excommunication of Henry VIII of England
ca. 1560-65
drawing
(study for fresco, Palazzo Farnese, Caprarola)
Musée du Louvre

Taddeo Zuccaro
Hercules and Iole searching the shore for Murex
(for purple dye)
ca. 1560-65
drawing
(study for fresco, Palazzo Farnese, Caprarola)
Musée du Louvre

Taddeo Zuccaro
Hercules presenting Iole with a Purple Robe
ca. 1560-65
drawing
(study for fresco, Palazzo Farnese, Caprarola)
Musée du Louvre

Federico Zuccaro
Portrait of Michelangelo as Moses
ca. 1593
fresco
Palazzo Buonaccorsi, Macerata

Federico Zuccaro
Portrait of Michelangelo as Moses
ca. 1593
drawing
(study for fresco)
Musée du Louvre

Federico Zuccaro
Portrait of Raphael as the Prophet Isaiah
ca. 1593
fresco
Palazzo Buonaccorsi, Macerata

Federico Zuccaro
Prophet and Sibyl
ca. 1573
drawing
(study for fresco, Chiesa Santa Lucia del Gonfalone, Rome)
Musée du Louvre

Federico Zuccaro
The Raising of Lazarus
ca. 1563-64
drawing
(study for fresco, Chiesa di San Francesco della Vigna, Venice)
Musée du Louvre

Taddeo Zuccaro (1529-1566) and his brother Federico (1542/3-1609) – Important Roman painters born near Urbino, working in a chastened Mannerist idiom.  Taddeo, the more naturally gifted of the two, came to Rome at the age of 14.  Virtually self-taught through the study mainly of Raphael and his school, he first made his reputation c. 1548 as a painter of façades, none of which survives.  Virtually all of his major commissions were finished after his death by Federico.  Taddeo's style is tempered both by a retrospective classicism and by realism; at times he anticipates the 'reforming' mode of Annibale Carracci.  He is nonetheless one of the most formally inventive decorative artists of his day, mingling illusionism of various types in a sophisticated but thematically apt and visually clear way.  Federico, trained by his brother, began to paint on his own account before the age of 20.  . . .  His tendency to academic schemata made him an easy model, and he became widely imitated among contemporaries and even by older artists.

– from an entry by Erika Langmuir and Norbert Lynton in the Yale Dictionary of Art and Artists (2000)