Mackinolty - Maar - McDiarmid - Marrinon

Chips Mackinolty
Australian Union of Students
Friendship Tour of Vietnam
1977
screenprint (poster)
National Gallery of Australia, Canberra

Chips Mackinolty
Eroding the Eye
1979
screenprint (poster)
National Gallery of Australia, Canberra

Chips Mackinolty
Hiroshima Day Anti-Uranium Rally
1977
screenprint (poster)
National Gallery of Australia, Canberra

Chips Mackinolty
Second Triennial May Day
Palace Revolution Ball
1977
screenprint (poster)-
National Gallery of Australia, Canberra

Dora Maar
Money and Morals
1934
gelatin silver print
National Gallery of Australia, Canberra

Dora Maar
Marionette dangling from Wall
ca. 1934
gelatin silver print
National Gallery of Australia, Canberra

Dora Maar
L'Homme Sandwich
ca. 1934
gelatin silver print
National Gallery of Australia, Canberra

Dora Maar
29 rue d'Astorg
(series, Surrealist Postcards)
1936-37
lithograph
National Gallery of Australia, Canberra

David McDiarmid
Only The Shallow Know Themselves
1994
digital laser print on board
Heide Museum of Modern Art, Bulleen, Australia

David McDiarmid
The Family Tree Stops Here Darling
1994
digital laser print on board
Heide Museum of Modern Art, Bulleen, Australia

David McDiarmid
Men as a Class are the Fetish
1978
printed paper collage
National Gallery of Australia, Canberra

David McDiarmid
Sleaze Ball
1988
screenprint
National Gallery of Australia, Canberra

Linda Marrinon
Turned Down Harvard
1988
acrylic on canvas
National Gallery of Australia, Canberra

Linda Marrinon
Guitar with Yellow Wristband
1988
acrylic on canvas
National Gallery of Australia, Canberra

Linda Marrinon
Twins with Skipping-Rope, New York, 1973
2013
painted plaster, cord and muslin
National Gallery of Australia, Canberra

Linda Marrinon
Golden Woman
2018
painted plaster
Art Gallery of South Australia, Adelaide

from Anthem for St. Cecilia's Day

 

                (for Benjamin Britten)

  

In a garden shady this holy lady

With reverent cadence and subtle psalm,

Like a black swan as death came on

Poured forth her song in perfect calm;

And by ocean's margin this innocent virgin

Constructed an organ to enlarge her prayer,

And notes tremulous from her great engine

Thundered out on the Roman air.

Blonde Aphrodite rose up excited,

Moved to delight by the melody,

White as an orchid she rode quite naked

In an oyster shell on top of the sea;

At sounds so entrancing the angels dancing

Came out of their trance into time again,

And around the wicked in Hell's abysses

The huge flame flickered and eased their pain.

– W.H. Auden (1940)