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| Harry Parr Portrait of the artist's daughter Katharine 1933 enameled earthenware Royal Ontario Museum, Toronto |
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| Marguerite Mahood Gothic Figure 1933 glazed earthenware National Gallery of Victoria, Melbourne |
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| Horst P. Horst Madame Arturo Ramos 1933 gelatin silver print National Gallery of Australia, Canberra |
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| Marie Laurencin The Black Gloves 1933 oil on canvas Art Gallery of New South Wales, Sydney |
-1933-oil-on-canvas-Art-Gallery-of-Ontario-Toronto.jpg) |
| Yulia Biriukova Portrait of Mrs Carl Schaefer, née Lillian Evers 1933 oil on canvas Art Gallery of Ontario, Toronto |
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| William McCloy Homer Dill 1933 oil on board New Britain Museum of American Art. Connecticut |
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| Irene Rice Pereira Ventilators 1933 oil on canvas Lowe Art Museum, University of Miami |
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| Sarah Robertson Decoration 1933 oil on canvas National Gallery of Canada, Ottawa |
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| Percy Trompf Great Barrier Coral Reef 1933 lithograph (poster) National Gallery of Australia, Canberra |
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| Arthur Rackham Goblin Market by Christina Rossetti 1933 offset print and letterpress (book cover) National Gallery of Australia, Canberra |
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| Arthur Rackham Goblin Market by Christina Rossetti 1933 offset print (book illustration) National Gallery of Australia, Canberra |
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| Agnes Pelton Winter 1933 oil on canvas Crocker Art Museum, Sacramento, California |
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| Rebecca James Salsbury Magnolia 1933 oil on canvas Denver Art Museum |
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| Gladys Gibbons Still Life 1933 linocut National Gallery of Australia, Canberra |
-1933-linocut-National-Gallery-of-Australia-Canberra.jpg) |
| Roy Cox Ex Libris - Fay Cox (sister of the artist) 1933 linocut National Gallery of Australia, Canberra |
from The Quest
All had been ordered weeks before the start
From the best firms at such work: instruments
To take the measure of all queer events,
And drugs to move the bowels or the heart.
A watch, of course, to wach impatience fly,
Lamps for the dark and shades against the sun;
To take the measure of all queer events,
And drugs to move the bowels or the heart.
A watch, of course, to wach impatience fly,
Lamps for the dark and shades against the sun;
Foreboding, too, insisted on a gun,
And coloured beads to soothe a savage eye.
In theory they were sound on Expectation,
Had there been situations to be in;
Unluckily they were their situation:
One should not give a poisoner medicine,
And coloured beads to soothe a savage eye.
In theory they were sound on Expectation,
Had there been situations to be in;
Unluckily they were their situation:
One should not give a poisoner medicine,
A conjurer fine apparatus, nor
A rifle to a melancholic bore.
A rifle to a melancholic bore.
– W.H. Auden (1940)