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| Ingeborg Tyssen People Series 4 1977 gelatin silver print National Gallery of Australia, Canberra |
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| Ingeborg Tyssen Hollywood 2 1982 gelatin silver print National Gallery of Australia, Canberra |
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| Ingeborg Tyssen People (Pitt Street) 1979 gelatin silver print National Gallery of Australia, Canberra |
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| Ingeborg Tyssen People Series 3 1977 gelatin silver print National Gallery of Australia, Canberra |
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| Vivienne Binns Childhood Fabric 1991 acrylic on canvas Art Gallery of New South Wales, Sydney |
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| Vivienne Binns Tapa over Japan 'one' 1993 acrylic on paper National Gallery of Australia, Canberra |
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| Vivienne Binns Mothers' Memories - Others' Memories 1979 screenprint (poster) National Gallery of Australia, Canberra |
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| Vivienne Binns Experiments in Vitreous Enamel 1976 screenprint (exhibition poster) National Gallery of Australia, Canberra |
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| Wedgwood & Bentley Urns imitating Porphyry ca. 1770-80 glazed earthenware with gilt-metal fittings Newport Mansions Preservation Society, Rhode Island |
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| Josiah Wedgwood & Sons Writing Case (lid) c1860- calamander wood veneer, jasperware medallion Royal Ontario Museum, Toronto |
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| Josiah Wedgwood & Sons Bust of Mercury late 19th century black basalt Newport Mansions Preservation Society, Rhode Island |
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| Josiah Wedgwood & Sons Egyptian Revival Sugar Bowl 1835 stoneware Newport Mansions Preservation Society, Rhode Island |
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| Normana Wight Cake ca. 1979 screenprint (postcard) National Gallery of Australia, Canberra |
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| Normana Wight UK Postage Stamps ca. 1975 screenprint (postcard) National Gallery of Australia, Canberra |
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| Normana Wight Souvenir of Scotland 1981 screenprint (postcard) National Gallery of Australia, Canberra |
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| Normana Wight Mimmo's Shirt 1976 screenprint (postcard) National Gallery of Australia, Canberra |
from The Quest
Two friends who met here and embraced are gone,
Each to his own mistake; one flashes on
To fame and ruin in a rowdy lie,
A village torpor holds the other one,
Some local wrong where it takes time to die:
To fame and ruin in a rowdy lie,
A village torpor holds the other one,
Some local wrong where it takes time to die:
This empty junction glitters in the sun.
So at all quays and crossroads: who can tell
These places of decision and farewell
To what dishonour all adventure leads,
What parting gift could give that friend protection,
What parting gift could give that friend protection,
So oriented his vocation needs
The Bad Lands and the sinister direction?
The Bad Lands and the sinister direction?
All landscapes and all weathers freeze with fear,
But none have ever thought, the legends say,
But none have ever thought, the legends say,
The time allowed made it impossible;
For even the most pessimistic set
The limit of their errors at a year.
What friends could there be left then to betray,
What friends could there be left then to betray,
What joy take longer to atone for; yet
Who would complete without the extra day
The journey that should take no time at all?
The journey that should take no time at all?
– W.H. Auden (1940)