-Pinacoteca-di-Brera-Milan.jpg) |
| Francesco del Cossa St John the Baptist ca. 1470-73 tempera on panel (altarpiece fragment) Pinacoteca di Brera, Milan |
 |
| Master of the Griselda Legend Joseph in Egypt ca. 1490-95 oil on panel, transferred to canvas National Gallery of Art, Washington DC |
 |
| Donato Bramante Christ at the Column ca. 1490-95 oil on panel Pinacoteca di Brera, Milan |
 |
| Bernardino Luini The Drunkenness of Noah ca. 1510-15 oil on panel Pinacoteca di Brera, Milan |
 |
| Matthias Grünewald The Small Crucifixion ca. 1511-20 oil on panel National Gallery of Art, Washington DC |
 |
| Andrea del Sarto St John the Baptist ca. 1517 oil on panel, transferred to canvas Worcester Art Museum, Worcester, Massachusetts |
 |
| Cornelis van Haarlem Susanna and the Elders ca. 1599 oil on canvas National Gallery of Canada, Ottawa |
 |
| Jan Lievens Job 1631 oil on canvas National Gallery of Canada, Ottawa |
 |
| Pietro Antonio de Pietri Study for the Resurrection of Christ ca. 1695 drawing Chrysler Museum of Art, Norfolk, Virginia |
-Cleveland-Museum-of-Art-Ohio.jpg) |
| Anonymous Austrian Artist Mourning Virgin ca. 1710-40 carved and painted stone Cleveland Museum of Art, Ohio |
 |
| Anton Raphael Mengs Young St John the Baptist in the Wilderness 1753-54 oil on panel Museo del Prado, Madrid |
 |
| Franz Ignaz Günther Christ at the Column 1754 carved and painted lindenwood Detroit Institute of Arts |
 |
| Pierre Puvis de Chavannes Salome at the Beheading of John the Baptist 1856 oil on panel Museum Boijmans Van Beuningen, Rotterdam |
 |
| Theodore Clement Steele Study of Model posed for the Crucifixion 1881 drawing Indianapolis Museum of Art |
 |
| George Frederic Watts Adam and Eve before the Temptation 1896 oil on canvas National Gallery of Canada, Ottawa |
-Scottish-National-Gallery-of-Modern-Art-Edinburgh.jpg) |
| Lovis Corinth The Crucifixion 1921-22 drypoint (study for altarpiece painting) Scottish National Gallery of Modern Art, Edinburgh |
Arroyo Seco
A piano, so long untuned
it sounded like a guitar
was playing Für Elise:
was playing Für Elise:
the church was locked: graves
on which the only flowers
were the wild ones
except for the everlasting
plastic wreaths and roses,
the bleached dust making
them gaudier than they were
and they were gaudy:
on which the only flowers
were the wild ones
except for the everlasting
plastic wreaths and roses,
the bleached dust making
them gaudier than they were
and they were gaudy:
SILVIANO
we loved him
LUCERO
LUCERO
and equal eloquence in
the quotation, twisted and
the quotation, twisted and
cut across two pages
in the statuary book:
in the statuary book:
THY | LIFE
WILL | BE
DO | NE
WILL | BE
DO | NE
– Charles Tomlinson (1966)